Information
Complete title: Walt Disney’s Snow White and the Seven Dwarfs
Author: unknown
Illustrations: Tom Wood & Gustaf Tenggren
Publication Date: January 1938
Country: USA
Dimensions: 12” x 18.25”
Number of pages: 44
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Introduction
This is the original campaign book produced by the studio and RKO to help theater owners sell Snow White and the Seven Dwarfs to patrons. It is a treasure trove for historians. Here is the complete transcription below.
Interestingly, among the given “highlights” of the film is “the dwarfs’ banquet”, a sequence planned but deleted from the final film. This tends to prove that some of the material for this book was written prior to December 1937, and yet the very presence of the photographs of the December 21 premiere, the New York Radio City Music Hall advertisments, and even a reproduction of the February issue of Stage, means that the book was most likely published and sent out to theater owners around late January 1938, or early February, possibly in time for the February 4, 1938 general release.
No words can describe its beauty, its charm, its glow, its tremendous appeal to the heart of man! … Nothing like it has ever been seen before! . . . It is so utterly different from everything the screen has ever known—so refreshing, so wonderful, so deeply thrilling … that every man, woman and child in the world owes it to himself not to permit anything to keep him from seeing it!
THE MOST DARING ADVENTURE IN SCREEN ENTERTAINMENT SINCE THE BIRTH OF THE MOTION PICTURE!


Highlights, production and story
My sincere appreciation to the members of the staff whose loyalty and creative endeavor, during the past three years, have made possible the production of Snow White and the Seven Dwarfs. Walt Disney
Highlights
- The Queen’s consultation with her magic mirror.
- The handsome Prince’s courtship of Snow White.
- The huntsman’s refusal to slay Snow White.
- Snow White’s flight through the enchanted forest.
- The dwarfs unearthing fabulous gems in their mines.
- Snow White’s housecleaning of the dwarfs’ abode with the birds and animals.
- The dwarfs’ discovery of Snow White in their house, mistaking her for a goblin.
- Snow White ingratiating herself with Grumpy. the woman-hating dwarf.
- The dwarfs’ banquet.
- The dwarfs’ Washing Song.
- The Queen’s transformation to an old witch.
- The dwarfs’ party for Snow White featuring a quaint pipe organ.
- Snow White’s song. “Some Day My Prince Will Come.”
- Snow White tempted by the witch to bite into the poisoned apple.
- The dwarfs’ frantic chase from their mine to save Snow White from the witch.
- The destruction of the witch by lightning.
- The preservation of Snow White in a glass case by the dwarfs.
- The Prince awakening Snow White with a kiss.
Production
Supervising director: DAVE HAND.
Sequence directors: PERCE PEARCE, WILLIAM COTTRELL, LARRY MOREY, WILFRED JACKSON. BEN SHARPSTEEN.
Supervising animators: HAMILTON LUSKE, FRED MOORE, VLADIMIR TYTLA, HERMAN FERGUSON.
Story adaptation: TED SEARS, RICHARD CREEDON, DICK RICKARD, OTTO ENGLANDER, EARL HURD, MERRILL DE MARIS, WEBB SMITH, DOROTHY ANN BLANK.
Character designers: ALBERT HURTER. JOE GRANT.
Music: FRANK CHURCHILL. LEIGH HARLINE. PAUL SMITH.
Art directors: CHARLES PHILIPPI, TOM CODRICK. HUGH HENNSY. GUSTAF TENGGREN, TERRELL STAPP, KENNETH ANDERSON, McLAREN STEWART. KENDALL O’CONNOR, HAROLD MILES, HAZEL SEWELL.
Backgrounds: SAMUEL ARMSTRONG, MIQUE NELSON. PHIL DIKE, CLAUDE COATS, RAY LOCKREM, MAURICE NOBLE, MERLE COX.
Animators: FRANK THOMAS, LES CLARK, DICK LUNDY, FRED SPENCER, ARTHUR BABBITT, BILL ROBERTS. ERIC LARSON. MARVIN WOODWARD, MILTON KAHL, GRIM NATWICK. ROBERT STOKES. JACK CAMPBELL, JAMES ALGAR, BERNARD GARBUTT, AL EUGSTER, JAMES CULHANE, CY YOUNG, STAN QUACKENBUSH. JOSHUA MEADER, WARD KIMBALL WOLFGANG REITHERMAN, UGO D’ORSI, GEORGE ROWLEY. ROBERT MARTSCH.
The story
The little princess. Snow White, was so beautiful that her wicked guardian, the Queen, put her to work in the scullery so that her beauty would be hidden from the world and the Queen could be the fairest in the land. However, every time the Queen consulted her magic mirror as to who was the most beautiful in the realm, the mirror always answered “Snow White.”
When the Queen saw a handsome young Prince admiring Snow White, she instructed her huntsman to take Snow White into the woods and kill her. However, the huntsman’s courage failed. Finally, as he watched her stoop to help a little lost bird, he told her to run far into the woods and never return. This she did, but she finally fell down exhausted. Friendly little birds and animals tried to comfort her, and led her to a charming little cottage, the home of Seven Dwarfs. There she found such an untidy state of affairs, she thought it belonged to children. With her forest friends to help her, she cleaned house.
When the dwarfs came home and found the rooms tidied. they decided some monster was in the house, but only found Snow White sleeping. They were delighted when she asked to stay and keep house for them. She found great happiness with her new friends until the Queen, consulting her magic mirror, found that the Princess was not dead.
Disguising herself as a peddler woman, the Queen visited Snow White and tempted her to bite into a magic wishing apple. Snow White fell to the floor as if dead. The little birds and animals, having recognized the Queen, warned the dwarfs. They gave chase and finally drove the wicked Queen to the top of a cliff; trapped, she toppled to her death.
The dwarfs, heart-broken, made Snow White a glass coffin because she looked too beautiful to bury underground. Night and day they kept watch over it. Eventually, the Prince who had fallen in love with Snow White came riding. He dismounted and kissed her. Immediately, the Princess’ eyes came open, for the spell of the apple could only be broken by love’s first kiss. Snow White and the Prince rode off together amid the cheers of the happy dwarfs.
The World Premiere
“Snow White” makes motion picture history in triumph at Hollywood World Premiere!
Before the world’s most critical audience, Walt Disney’s first feature length production Snow White and the Seven Dwarfs, made its formal debut as a major attraction at the Carthay Circle Theatre in Hollywood, and swept this audience off its feet to sensational acclaim. The first night audience was reckoned ninety percent motion picture representative, and therefore analytical from every standpoint. No greater tribute to the merit of the production could have been recorded than the ovation won from this source, a forecast of the public reception already awaiting the picture.
The public could not crash the lavish $5 premiere was represented on the first night by 30,000 onlookers outside the theatre, handled in an orderly fashion by 150 policemen. The theatre had been sold out days before, but in the ensuing regular performances, the house made records beating previous Carthay Circle top grosses.
Exquisitely staged with the atmosphere of Gnomeland, plus that of glamour, the premiere won nationwide attention. The scenes on this page and the following pages visualize the event better than words can express. It was all an amazing and propitious introduction to a period of prosperity for all theatres playing Snow White and the Seven Dwarfs.
Parade of stars
Not even the most brilliant preceding premiere in Hollywood attracted more motion picture notables than bought tickets in the stampede to the debut of Snow White and the Seven Dwarfs. The Star Parade at this event reached a new high. Among those whose presence was recorded by mention in the news papers were :
Shirley Temple, Charlie Chaplin, Paulette Goddard, Marlene Dietrich, Douglas Fairbanks Jr., Fred MacMurray, Milton Berle, Marian Nixon, Edgar Bergen, Pandro S. Berman, Phil Baker, John M. Stahl, Jack Holt, Dick Foran, Leo Spitz, Barbara Pepper, George Murphy, Mary Livingston, Jack Benny, Ida Cantor, Anna May Wong, Ginger Rogers, Mary Pickford, Darryl Zanuck, James Gleason, “Amos and Andy”, Glenda Farrell, Sally Eilers, Gail Patrick, Bob Burns, Cary Grant, Joe Penner, Lee Marcus, Jesse L. Lasky, Preston Foster, Mary Pickford, George Burnes, Gracie Allen, George Arliss, Claudette Colbert, Ann Sothern, Jack Oakie and Ernst Lubitsch.
Grandstands were packed with thrilled thousands.
Record breaking in its magnitude and enthusiasm was this ovation for Walt’s new achievement!
Newspapers Go Overboard With Whole Front Pages
Herald Express clipping:
Scenes illustrated above include Walt Disney and Mrs. Disney; Shirley Temple; Marlene Dietrich and Douglas Fairbanks Jr.; Charlie Chaplin and Paulette Goddard, Glenda Farrell; Sally Eilers, and Gail Patrick – not forgetting the dwarfs and Donald Duck. Similar layouts were featured in other Los Angeles newspapers.
Photo captions
- Night scenes as the public and stars of the cinema capital stormed the premiere, December 21, 1937
- The outdoor concert in the Carthay Circle Plaza by the orchestra of forty
- A portion of the 30,000 premiere watchers bathed in a flood of light from a giant sun arc.


Press
All previous praise records shattered!
Herewith are excerpts from the advance guard of world-wide superlative comments on Snow White and the Seven Dwarfs, evoked by the premiere in Hollywood. Exhibitors will find them valuable as quotes in publicity, advertisements and “Coming Attraction” boards. The approval was unanimous and unprecedented for its warmth.
The Newspapers:
Harrison Carroll, L.A. Herald Express: “Walt Disney scored a new and impressive triumph last night… A fascinating screen experience… A picture that nobody should miss.”
Jimmy Fidler: “In all my nineteen years of reviewing I have never met screen characters that more completely captured my heart than did Snow White and the Seven Dwarfs. Children, young folks, men and women – put on your ‘must-see’ list the delightful, charming fairy tale of Snow White.”
Edwin Schallert, L.A. Times: “A motion picture miracle has come into being. It is a film fairy tale that will enrapture audiences around the world… It is a great screen contribution not only for today but tomorrow.”
Louella Parsons, L.A. Examiner: « Walt Disney adds new laurels to his fame. Snow White and her fairy prince and the seven Dwarfs become stars you will love and take into your heart… The loveliest thing of its kind, ever brought to the screen.”
Harry Mines in L.A. Daily News: “Yes, there is a Santa Claus! His name is Walt Disney, and as a Yuletide gift for all those young in spirit and mind he has brought forth his first feature-length attraction… An unforgettable experience.”
Jimmy Starr in L.A. Herald-Express: “In all his many dreams, this Prince Disney never had one so fantastically rivalled. What actually occurred when the great and small of Hollywood, the socially elite and the devoted cinema fans turned out to pay tribute to the genius that brought Snow White and the Seven Dwarfs to the screen for a brilliant world premiere.”
Hollywood Citizen-News: “Visually and musically the picture is a well, nigh incomparable treat for the seeker after rarities in the motion picture.”
Westbrook Pegler: The nationally famous columnist, just prior to the release of Snow White called Walt Disney’s animated cartoons “the greatest single-handed contribution to their (our country’s) joy these last half-dozen years,” in one of his articles, syndicated to 192 newspapers with a six and a half million circulation. He wrote: “Not knowing Walt Disney, I feel free to propose that his countrymen take some means of letting him know that in an era of trouble, worry and meanness he has given the human race more man-hours of pure, innocent joy and escape than anyone else on earth.”
Trade Press:
Variety: “An inspired and inspiring work, the commercial success of which will be notable.”
Motion Picture Daily: “All that the advertising copy writers have been saying about this picture is true in spades. It is a box-office natural I the most expectant interpretation of that loosely bandied term.”
Motion Picture Herald: “From audience reaction, foyer comment and the general air of extraordinary satisfaction with the world in general that was prevalent about the premiere, it would seem incontrovertible that the picture is both a box-office classic and the other kind.”
Hollywood Reporter: “A masterpiece of entertainment for people of every age.”
Variety Daily: “Its perfection and its showmanship are so impressive that they excite enthusiastic prophecy. This writer predicts it will do smashing business and regale not only children but all manner of audiences in extended runs.”
Film Daily: “Here is a picture so masterfully produced and of such unusual entertainment value that it will make motion picture history. A sure-fire sensation, t will prove a clean-up for any exhibitor anywhere, its appeal being to children and adults alike.”
Showman’s Trade Review: “An inspiring masterpiece of elegant beauty and entertainment; sure to satisfy all audiences, who will rave about it.”
Jay Emanuel Publications: “A revelation in animate screen entertainment displaying mood and tempo with a master stroke. Romance, drama, pathos and genuine heart interest combined with artistic craftsmanship for nothing short of a box-office smash.”
Box Office: “The most important picture from a production perspective since the advent of sound. It has unusual appeal seldom, of ever, attained in the realm of celluloid entertainment.”
Photo captions
- The Disney production display
- Marry Livingstone, George Burns
- Leo Spitz at the mike
- “Amos and Andy”
- Shirley Temple
- Joe Penner
- Anna May Wong
- Preston Foster
- Sally Eilers
- Bob Burns
A tremendous pre-release build-up such as no other picture ever won!
Staggering in its proportions, the advance publicity accorded Snow White and the Seven Dwarfs on the eve of its release reached the widest possible public through every known channel; was so impressive in its coverage that its like, for a screen attraction, has never been equaled.
Beginning with news breaks dealing with the preparation of the first Disney full length feature, editorial recognition followed in the form of lavish reproductions of Snow White scenes in full color pages by the more important periodicals. Such big circulation magazines as Good Housekeeping, Look, Town and Country, Life, Photoplay, Stage, Popular Science, McCalls, Photoplay and Time, to mention only few, made big spreads of the subject.
Syndicates, notable King Features with its 18-week serial feature strip, and Newspaper Enterprise Association with its widely distributed service, reached added millions of readers.
Fan magazines – Modern Screen, Screenland, Movie Mirror, Movie Life, Screen Guide, Photoplay, Picture Play, Stage, Screen Romances, Silver Screen and Modern Movies, carried full-page production ads in their January and February issues.
Besides motion picture trade magazines, commercial trade magazines such as Playthings, Toys and Bicycles and Soap were packed with ads from among the forty and more concessionaires who crashed into the market with novelties based upon the “Snow White” film.
Adding to this the many radio broadcasts in which Walt Disney himself participated, and the widespread broadcasting of music from the picture, one begins to realize the cumulative smash of publicity earned by Snow White and the Seven Dwarfs before the picture even had its premiere.
Department store advance campaign
Extraordinary promotion for Snow White conducted by department stores.
During the last holiday season thirty-five key city department stores featured elaborate displays of Snow White character and settings, reaching the adult buying public in direct fashion. The stores were:
- Los Angeles, J.W. Robinson Co.;
- Oakland, The H.C. Capwell Co.
- Sacramento, Weinstock, Lubin & Co.
- San Francisco, The Emporium;
- San Diego, The Marston Co.;
- Denver, Denver Dry Goods Co.;
- Washington, Woodward & Lothrop;
- Chicago, Mandel Brothers;
- Fort wayne, Wold & Dessauer Co.;
- Indianapolis, L.S. Ayres & Co.;
- Baltimore, Hutzler Brothers Co.;
- Boston, Jordan-Marsh Co.;
- Detroit, Crowley-Milner Co.;
- Grand Rapids, Wurzburg Dry Goods Co.;
- St Louis, Stix, Baer & Fuller;
- Omaha, Thomas Kilpatrick & Co.;
- Newark, Kresge Department Store;
- Paterson, Meyer Brothers;
- Binghamton, Fowler, Dick & Walker;
- Brooklyn, Frederick Loeser & Co., Inc.;
- New York, Gimbel Brothers;
- Rochester, Sibley, Lindsay & Curr;
- Akron, M. O’Neil Co.;
- Cleveland, The May Company;
- Dayton, The Rike-Kumler Co.;
- Cincinnati, H. & S. Pogue Co.;
- Columbus, F. & R. Lazarus Co.;
- Pittsburgh, Kaufmann’s Department Store;
- York, S. Grumbacher & Son;
- Providence, The Shepard Co.;
- Seattle, Rhodes Department Store;
- Milwaukee, Gimbel Brothers;
- Philadelphia, Stern & Co.;
- Allentown, Hess Brothers;
- Reading, Harold Furniture Co.
Above are reproductions of periodicals, illustrating the prominence given Snow White and the Seven Dwarfs in the treatment at the picture.
At left are specimens at the very spectacular department store displays which utilized special material in life-size from Old King Cole, Inc. of Canton, O.



Celebrate “Snow White” with a new high in showmanship
Stunt: Snow White goes shopping
As a combined ballyhoo and merchandising stunt, send out a beautiful girl, clad in Snow White’s simple garb, who is to tour the shops mounted on a white horse led by a ballyman attired like the Prince. Your Snow White should make the rounds of several smart shops and department stores, restaurants, night clubs and other public places. The tour should be publicized and advertised, and the stores should make window displays stating the time of Snow White’s arrival at their establishments. Title and theatre banners should flank the horse’s sides for show ballyhoo purposes.
Tell the story along main street
Requiring the co-operation of merchants whose stores are located along the main thoroughfare of your town, the following stunt will sell both their wares and your show. Below find the numbers of 14 stills from “Snow White”. In proper sequence, these photographs tell the story of the picture. Spot them in consecutive order in the windows of your co-operating merchants. The stills should be enlarged, accompanied by terse, brief captions displayed in large, black-face type or decorative hand-lettered cards. To bring the stunt to the public’s attention, advertise it in a co-operative newspaper ad. Also, point out to the merchants that the public will necessarily view their merchandise when they follow the story in stills of “Snow White”. Following are the numbers in the right order. Note that the letter following each number indicates the set in which the still is to be found. For the captions, consult page nineteen;
- SN 17-“B”;
- SWH 11-“A”;
- SWH 18-“A”;
- SWH 32-“B”;
- SWH 34-“A”;
- SWH 44-“A”;
- SWH 65-“B”;
- SWH 79-“A”;
- SWH 83-“A”;
- SN 1-“A”;
- SWH 104-“A”;
- SWH 106-“B”;
- SWH 111-“A”;
- SN 13-“B”.
Furniture store
Children’s furniture could be easily fashioned into house furnishings suitable for the dwarf’s house and installed in a furniture store window for a grand display. Beds, chairs, tables, and cupboards are suitable. The various beds and tables should be labeled with the different names of the dwarfs, and models of the dwarfs should be spotted in the window. Remember to include theatre playdate cards in the display.
Drawing contest
On a week-end morning before your opening day, conduct a “Snow White” drawing competition at your theatre. A full-colored enlargement of a scene from the picture should be set up, well illuminated, so that the audience may see it clearly. The contestants are to copy the scene in a specified time. The best drawings are entitled to prizes, such as a scholarship at an art school, guest tickets and art supplies. Limit your entrants to a ‘teen age to discourage professionals. If you find that you have too many contestants, hold your contest on as many different occasions as possible. Inasmuch as the major portion of your contestants are of school age, it is necessary to provide a time when they are free. Seek school co-operation, submit entry blanks through the school, and get local art authorities to act as judges. Here’s a stunt which could be built into tremendous proportions.
Pet Matinee
Emphasize the appealing animal angle of “Snow White and the Seven Dwarfs” by having a morning matinee for children, with admission free for those who bring along live pets with them (dogs and cats barred). Awards may be made for the most interesting pets.
Appreciation cards
Have members of your first days’ showing fill out appreciation cards. Mount the best of them for a board display in your lobby during the remainder of the engagement. Excerpts may also be used to advantage in your newspaper advertisements.
Teaser advertisement
Use as a teaser advance ad, or as a block poster, copy along the following line: “Weather forecast. Cleveland will be Snow White. March 12 – 19 (Theatre playdates).
Shadowbox series
Six of the hand-colored photographs, representing a brief synopsis of the story, each set in the rear of an illuminated shadowbox, the outside of which bears an explanation of the stunt, will form an arresting display in the window of some well-known store.
Lobby circus
Birds and animals have an unfailing appeal to the human being. Considering that they play such an important role in “Snow White”, try to procure from the local pet shop a variety of birds and animals for a lobby show. Chipmunks, rabbits, squirrels, weasels and monkeys, and birds of many descriptions are logical items for such a display. Figure of the seven dwarfs should be arranged about the circus. The entire display should be tagged: “Friends of Snow White”.
Posters
High school and university art students may compete for a special Walt Disney prize to be awarded by you for best “Snow White” poster. Local art authorities should act as judges. Arrange for a display of the competing posters.
Miniature float
In keeping with the liliputian aspects of the seven dwarfs, prepare a miniature float on “Snow White” to parade through the town for days before the opening. The float should consist of an Austin automobile, or similar small car, towing a flat trailer truck displaying a tableau scene from the picture by a ballygirl Snow White and seven figures of the dwarfs. The trailer should be lavishly decorated and possibly bear a phonograph to play and amplify the music from “Snow White” and recorded announcements about your opening.
Ballyhoo: goofy motorcade
A parade of aged automobiles still in running order decorated with the dwarfs a la the college boys’ art on their campus cars will attract a load of attention for “Snow White”. The card should be bannered with title and theatre name. The parade could be conducted as a safety campaign for motorists and pedestrians.
Lobby paste-ups
Capitalize the splendid “Snow White” art in “Good Housekeeping”, “Life”, “Town and Country”, “Look”, “Stage”, “Photoplay” and a dozen other periodicals by pasting up a three-sheet montage of their pages in a lobby display board. A variant of this stunt is to display each periodical bearing a “break” for “Snow White” on individual 11” x 14” boards. This display of quantity will prove impressive to the patrons and transients. Each board should be labeled with your playdates and possibly decorated with dwarf figures.
Hot news heralds
Station a small printing press with a qualified operator in the lobby, an outdoor booth or on a traveling truck. The display should advertise: “Hot news! Just off the press!” Each curious transient inquiring about the “hot news” receives a herald just imprinted with your theatre copy. Perhaps you can tie up with a printer by permitting him to place his advertising copy on the herald.
Touring 24-sheet
Here’s an attention-getter which will make ‘em stop and look! Mount a twenty-four sheet on compo board in eight equal, upright section. Each section should be toted by a ballyman. The eight ballymen should tour the town showing their respective sections. At a given signal, they should assemble in proper sequence revealing an orderly twenty-four sheet. The backs of the individual sections should be equipped with slats as handles for the ballymen.
Girls “paint” 24-sheet
If you display a twenty-four sheet on a board visible to a good deal of transient pedestrian traffic. It would be well worth your while to try this scheme. After the poster is mounted, coat the surface with a thin solution of oil. Allow the oil to dry, and then coat the oil surface with powdered chalk, temporarily opaquing the poster. The next step is to have a number of good-looking girls “paint” the twenty-four sheet. The girls use clean brushes sparingly dipped in water. Wielding their brushes on the powdered chalk surface, they will remove the substance, gradually revealing the poster. The paper of the poster is kept from soaking by the protective all coating previously applied. The stunt can be repeated as often as you wish: however, only one coat of all will be necessary.
Elect a Princess Snow White for a day
Tie in a garage, department store, newspaper various shops, a leading hotel and a smart restaurant for a show-selling stunt to select as Princess Snow White a local girl, who should be regally treated for the day of your opening, and then appear as guest of honor at the premier of the picture. The title of Princess Snow White should be conferred o that girl whose figure best fits a complete outfit contributed by a department store, consisting of hat, shoes, coat, dress, accessories and undergarments. The award should be based on the figure measurements and proportions previously submitted by contestants to the newspaper, and should be judged by the best symmetrical combination of measurements. Princess Snow White should receive her outfit at the department store on the morning of your opening day. Then she is to be put at a leading hotel, from which she is to start an extended shopping tour of your co-operating shops in a chauffeured limousine placed at her disposal by the garage. In the evening, she is to visit the restaurant for a lavish feast, from which she proceeds to the theatre for a grand entrance and introduction to the premiere audience. Princess Snow White for a day should mean gobs of newspaper space and word-of-mouth comment for your show!
Soap culture
Hold a competition for the best models of our heroine and the dwarfs fashioned from soap. The contest should be restricted to boys and girls of school ages, possibly conducting a competition for grammar school students and another for secondary school students. Get educational and artistic co-operation.
Dwarfs as ballyhoos
Dwarfs can be profitably used to make the town dwarf-conscious, similar to RKO’s New York campaign on “Snow White and the Seven Dwarfs”. Employ one or more dwarfs to act as messenger for the theatre for a week or ten days before your opening. He should deliver special invitations to the mayor, town officials, newspaper editors and prominent business executives. He should distribute heralds to passers-by in busy districts throughout the town. He should make letter and light package deliveries for the theatre.
Public as press agents
“Snow White and the Seven Dwarfs” is definitely a milestone in screen entertainment and, as such, offers the intriguing stunt wherein the exhibitor asks the public to act as his press agents, in newspaper advertisements and screen trailers, the exhibitor or theatre press agent should say that, because of the important aspects of “Snow White” as an entertainment, he desires ideas for unusual advertising and ballyhoo. Guest tickets should be offered for the best suggestions. If you inaugurate this plan well in advance of your opening, you may be able to employ some of the public’s exploitation suggestions. This stunt should create an intimate feeling between the theatre and public, piling up a load of good will as well as A-1 publicity for “Snow White”.
Front: animated character parade
Cut-outs of the seven dwarfs, our little heroine and the other characters and animals should be mounted on a moving belt set on a long oval-shaped platform suspended from below the marquee or above the entrance doors. The belt should be kept continuously moving around the platform while different colored lights flash on and off against the display to increase the attraction. Use the cut-outs as large as possible. This stunt is also feasible for the marquee top on which the cut-outs would be arranged on a belt following the outline of the marquee.
Model contest
Make the illustration of the dwarf’s house at the right the basis of a model contest for a high school boys and girls. Contestants should work in clay, wood or soap, and the contest should be conducted with school and newspaper co-operation.
“If you miss ‘Snow White and the Seven Dwarfs’, you’ll be missing the ten best pictures of 1938.” – Frank S. Nugent, New Yok Times.
Lobby: dwarfs’ house in lobby
In a prominent corner of your lobby erect the dwarfs’ forest village insofar as possible. For their house, use a mammoth doll house removing the side to expose the interior, if you wish. The house should be well illuminated. The bedroom should contain seven beds, each properly labeled with the owner’s name. The dining room should feature seven chairs around a table similarly labeled. Dolls of the dwarfs and Snow White should be seated, or set about the house engaged in some activity. The toy store will undoubtedly yield many of the items required for this unusual display.
Street: Snow model contest
If snow falls, in your town in healthy doses during or shortly before your engagement of “Snow White”, herewith are likely stunts which are easily worked show-sellers. Using a flit-gun and water color, letter the title on a fairly hardened snow bank. Try to hang your banners on snow plows and other snow-removing equipment in use during and after a snow fall. Title flags stuck into snow drifts and banks will also attract attention. Hold a competition among the adults and youngsters for the best snow models of Snow White and the dwarfs. The theatre is to send around a roving group of judges.
Bird banquet
Tie up with the Society for the Prevention of Cruelty to Animals, or similar organizations, for a “Snow White” banquet for animals in the city pound or for birds in the public parks. Set up bins in the parks containing bird feed; each bin should be suitably placarded.
Classified page
For a classified page newspaper contest, scatter the names of the seven dwarfs through the page, the contestants to find them and paste up the ads on a sheet with a twenty-word appreciation of the newspaper’s want ad service.
The tie-in with the Mickey Mouse cartoon strip
If a local newspaper is featuring the Mickey Mouse cartoon strip, try to plant your theatre announcement on “Snow White” above the cartoon strip about six days before the opening. The theatre copy should point out that Walt Disney is responsible for both the strip and the screen feature.
It’s a show to ballyhoo to the skies
Lobby: wishing well
A week before your opening, set up a “prop” wishing well in your lobby, attended by a good-looking girl who asks the passers-by and patrons to look into the wishing well for a message of happiness. Upon peering down the well, each patron sees the title and playdate, appearing just as if the words are floating on water. This effect is simply achieved by setting a large circular mirror at the bottom of the well on which should be informally spotted letters representing your message.
Lobby: magic mirror
No. 1: Set up a simple, square booth whose front is faced with a large mirror. Label the display, the “Magic Mirror”. A sign above the display should read: “Ask the Magic Mirror any question. It will answer.” Behind the mirror in the booth station a quick-witted man or girl. Where possible, logical answers should be given; if the question is a poser, the reply should be gagged. Of course, the stunt is suggested by the queen’s magic mirror, which answers any question she asks, and this fact should be brought out in signs on your display. The booth could be set up at the theatre, in the lobby, lounge or interior. A sensational location for the booth is on top of the marquee which should be made available to the public by means of a flight of stairs!
No. 2: Erect a box five feet high, three feet wide and six inches deep of compo board. A two-feet-square section in the front should bear a translucent mirror. A sign on your display requests the transient to “press the spring button switch for a trip to Snow White’s land.” The act will cause the interior of the box to illuminate, revealing a decorative drum displaying several representative scene stills from the picture. The drum should be belted to a motor which automatically starts when a curious passer-by snaps the switch. The spring switch is recommended because the current is automatically shut when released. Here’s one appealing to the curious instinct of the human being; it should get a great play.
Ballyhoo: sidewalk artist
Engage an artist, garb him in the Greenwich Village conception of an artist’s apparel including beret, smock and flowing tie, and have him paint the various characters from “Snow White and the Seven Dwarfs” on a portable easel at one busy street corner to another, or use chalk or crayons on the sidewalk. After completing each sketch, he should distribute heralds reading: “This is one of the characters in Walt Disney’s beautiful and daring full-length Technicolor feature, ‘Snow White and the Seven Dwarfs’. See it at the (Palace) Theatre.”
Contest – Identify the dwarfs
For a seven-day newspaper contest have a picture of a different dwarf appear every day for consecutive days. Readers are invited to identify the dwarfs by names. The answers are to be accompanied by twenty word essays on, “Why is ‘Snow White and the Seven Dwarfs’ the most talked about picture of the year?”
Offer guest tickets for current answers and a grand prize for the best essay.
Co-operative slogans
For a cooperative ad page, these suggested merchant slogans may help your newspaper ad manager sell space.
Laundries: “Your linens come back Snow White.”
Dairies: “Snow White cleanliness is your guarantee of the wholesomeness and purity of our products.”
Jewelers: “Our gems were dug for Snow White from the mines of the Seven Dwarfs.”
Beauty shops: “Your can rival ‘Snow White’s’ perfect beauty through our expert complexion care.
Etc. Etc. Etc.
Clean-up week
Tie up with civic improvement leagues, clubs or under sponsorship of City Sanitation and Cleaning Departments for spring clean-up campaign. Displays and posters should read: Make your city “Snow White” spring clean-up week March 5-12 (Theatre play dates)
Portrait gallery
The hand-colored photographs of the dwarfs and Snow White sold as regular accessories, plus your own colored enlargements of the characters, will make an arresting lobby or mezzanine floor display arranged as a gallery of portraits. Each photograph should be softly illuminated, and possibly draped with red cloth, similar to the gallery presentation of portraits.
Girl ushers
Dress the house staff to sell your show! A week in advance, have the usherettes, cashier and all other female employees who come in contact with your patrons don the simple garb worn by Snow White. Chest banners and arm bands with playdates and title should also be worn by the staff.
Store tie-ups
Soda fountains in drug stores and ice cream parlors should feature a special “Snow White” sundae in celebration of the opening of “Snow White and the Seven Dwarfs”. The ingredients of the concoction can be determined locally. Fountain bars should display tack cards and streamers ballyhooing “Snow White”.
Linen stores should make special displays and sales of white goods such as bed linens and handkerchiefs.
Restaurant. Many opportunities for an extensive hook-up with a local restaurant are afforded by the action and story of “Snow White”. If the restaurant employs waitresses, have them attired in the simple costume of Snow White. They should also wear chest banners and/or arm bands bearing the title. The menu could be called “Snow White’s menu” for several days before your opening. Features of this menu should be Sow White’s culinary specialties, gooseberry pie, apple dumplings and plum pudding. Scenes showing Snow White preparing these dishes in the picture and of the dwarfs at dinner are suitable for a window display for the restaurant. Another slant is to use the seven one-column mats of each of the dwarfs, number 3A, and print up a quantity of throwaways, some of which are to be specially designated to entitle the holders to one of the three desserts described above.
House cleaning. Arriving at the dwarfs’ abode in the forest, Snow White discovers dust and disorder. She immediately sets to work cleaning up with the aid of the birds and animals of the forest. This suggests a tie-up with dealers in electrical appliances, hardware and house furnishings, or with a house cleaning service. Offer your contact stills for window displays under the catchline: “Snow White would have made the Seven Dwarfs’ house spic and span in no time with our rapid-cleaning electrical appliances”. The display may be built around such merchandise as carpet sweepers, vacuum cleaners, electric washing machines and electric irons.
Cosmetic. An interesting window or counter display for a drug store, department store or cosmetic shop could be devised to sell both the picture and beauty aids for women. Using the still showing the Queen receiving her answer from the demon in the magic mirror, display a placard with an adapted version of the demon’s words: “For lips red as the rose, hair black as ebony, skin white as snow – use our large variety of reputable cosmetics and beauty aids.” Others stills showing Snow White and the Seven Dwarfs and play-date notices should be included in the display.



Posters
For reproductions of the american posters shown on this page, go to the Posters page. Several formats were available:
- Two 24-sheets: A & B ($2.40 each)
- Two 6-sheets: A & B (90c each)
- Two 3-sheets: A & B (45c each)
- Two 1-sheets: A & B (15c each)
- One 40 x 60 ($1.25 each)
- One 27 x 41 (75c each)
- One 12-color window standee – free imprint on quantities from 10 to 100 – three feet high and 20″ wide (50c each)
- Two 22 x 28’s (40c each)
- One 14 x 36 insert card (25c each)
- One Jumbo window card (10c each)
- One miniature window card (5c each)
- Eight 11 x 14’s lobby cards (75c each)
- One Bumper strip – a traveling ad on any automobile. 4 1/2″ x 44″ grommeted at six points for easy display, a punchy show item featuring bright yellow lettering on a contrasting blue background, ample imprint space (18c each)
- Giant standee, a five-color show-selling sales-building display for lobby, marquee or store window display! 6 feet high, 50 inches wide ($5.00 each)
- Three-color 9″ x 12″ herald ($3.50 per 1000) One sample is glued to the page.
Free radio transcriptions
A fifteen minute electrical radio transcription on “Snow White and the Seven Dwarfs” can be secured FREE OF CHARGE from your local RKO Radio Exchange.
This record, for use on sustaining programs over your local radio station or on time arranged by you with that station, features all the hit songs of the voices of Snow White and the Seven Dwarfs.
This is the same type of material that has been used on the Chase & Sanborn program, the Packard Hour and other great shows, and is geared to sell seats in your theatre.
AVAILABLE FREE OF CHARGE AT YOUR LOCAL RKO EXCHANGE. RESERVE YOUR COPY AT ONCE!
For months, newspapers and other publications throughout the worldhave told millions and millions of readers about Walt Disney’s first feature production.



Eight 11 x 14 Deluxe hand-colored stills
Sold only in complete sets at $2.00 per set.
Color-glos photographs are sales-building show accessories: sepia-toned and hand-colored in full, natural hues… brilliant in their beauteous realism… these color-glos stills are arresting stoppers in the lobby. They’re smart, distinctive theatre dressers, selling the gorgeous Technicolor with tense, direct appeal. Use ’em in a montage in a lobby frame, in shadowboxes and for store tie-ups. Mount up a series on thin paper, behind which provide bright, white illumination; the resulting transparency is a sensational novelty.
The stills in these two sets of hand-colored stills are fully described on page 19.
Twenty 8 x10 hand-colored stills
15c each in lots of 8 or more; 20c each in lesser quantities.

Publishers Issue Four Special Books
Recognizing the significance of “Snow White and the Seven Dwarfs” as a milestone in cinema entertainment and achievement, four leading publishers have issued the story in as many different editions:
Harper & Bros., 49 East 33rd Street. New York, N. Y., issues a lavish $2.00 edition profusely illustrated in full color with almost 100 scenes from the picture.
David McKay. Inc., 604 South Washington Square, Philadelphia, Pa., has an illustrated $1.00 edition.
Grosset & Dunlap, Inc., 1140 Broadway, New York. N. Y. has prepared a photoplay edition retailing at 50c. (not illustrated)
Whitman Publishing Co., 200 Fifth Avenue, New York, N. Y., has published a 10c picture book with every other page bearing a scene from the picture. Sold at most five-and-dime chain stores throughout the country.
Book dealers stocking any or all of these editions should be promptly contacted for possible window and counter displays. Lavish, colorful window shows should be prepared. employing the books and picture accessories supplied by the exhibitor. Essay contests may be jointly sponsored by the dealer and exhibitor, the dealer supplying books as prizes. Books may be displayed or sold in the lobby. If none of the books is already stocked by your dealer, urge him to take in a supply from his jobber now.
Contests, Stunts and Promotion!
“DWARFS” TOTE OVERSIZED BOOK
An oversized re-production of a book tagged with the title carried through the town by a couple of “dwarfs”, will make ’em stop, look and read your message!
STORY READ BY “SNOW WHITE”
If you can arrange for the reproduction of the dwarfs’ living room interior in some department store or furniture store window, install a girl as “Snow White,” with the seven dwarf figures in your setting. Snow White should read the story to her audience of dwarfs. Her voice should be amplified to the sidewalk through a microphone.
PRESENT BOOKS
The library will always welcome books they can use from any donors. Such books should include “Snow White and the Seven Dwarfs.” So why not donate two or three copies of the book to the public library in your town?
BOOK FOR CELEBRITY
Sometimes a book of a motion picture is presented to a local or visiting celebrity. This, too, could be done with ceremony. To build up the publicity, you should try to plant a newspaper contest requesting the public to submit suitable inscriptions for the book.
LIBRARY
Obtain public library displays of the colored or black-and-white scene stills from “Snow White.”
BOOKMARKS
On this page find a proposed bookmark which should be prepared in great quantities, and lavishly distributed through public and circulating libraries, in the theatre weeks before your opening, and in school. (1-A—Mat 15c)
GIANT BOOK
Install a giant book attended by a pretty girl dressed as Snow White in the lobby of your theatre or in a department store window. The book should be generously laden with stills, arranged in proper sequence to tell the story. Brief but large captions should accompany each still.
DISPLAY OF GRIMM BOOKS
The Grimm brothers penned a number of internationally renowned tales which have been issued in countless editions in many languages. Get the book dealer to display these other Grimm books together with the new editions of “Snow White.” The public library and lobby are ideal locations for such a display.
BOOK PAGES AS HERALDS
Using single pages from several copies of the ten-cent edition of “Snow White” imprinted with theatre copy, you’ll have an effective, unusual herald. The page should be stamped or imprinted in large letters with such copy as, “A Page from ‘Snow White and the Seven Dwarfs’, Soon Coming to the Palace Theatre.”
Photoplay study guide
“Snow White and the Seven Dwarfs” is the subject of an elaborate twenty-page photoplay study guide issued by the photoplay committee of the National Education Association.
Properly used, these guides are of immeasurable value in building your audience. Approach your schools judiciously, and you should build good will with the schools in your community.
The photoplay guide is an educational text intended to enable the students to study “Snow White” with greater appreciation, and, as such, is an educational text which should be diplomatically introduced to the schools. First, contact the school principal inquiring if he is acquainted with the guides, whether he would like to see a copy, and whether he can suggest the names of some teachers who may be interested. Then offer to defray the expense of the guides, instructing the publisher to send the guides to the school while the bill goes to the exhibitor. Prices: 2 to 10 copies, 10c each; 11 to 99, 5c each; 100 or over, 3c each. Order direct from the Educational & Recreational Guides, Inc., Room 1418, 1501 Broadway, New York, N. Y.
Parallel smash campaigns by “Snow White” Licensees bringing nation-wide co-operation with unprecedented dealer range
Amazing and totally unequalled coverage through tens of thousands of retail dealers is provided in tie-ups available to exhibitors at Snow White and the Seven Dwarfs by the more than forty licensee accounts which have adopted the “Snow White” motif for their lines of merchandise, all of which will be active during the life of the picture. The “Snow White” licenses were issued by Walt Disney Enterprises, managed by Kay Kamen, and the accounts comprise the widest commercial hook up ever achieved in the history of motion pictures. This means that a wealth of cooperative opportunities such as this has never before been tossed into the laps of the nation’s enterprising showmen. Contact local dealers in all of these items, and obtain displays in exceptional abundance.
- MEATS Armour & Company, Chicago. Pork products, featuring Armour’s Star Ham. In butcher stores. READY BY EASTER
- DOLLS Alexander Doll Co., New York. “Snow White” dolls. In toy, novelty and department stores. READY
- JEWELRY Cartier, Inc., New York, Paris, London. Solid gold de luxe bracelets. In world’s finest jewelry stores. READY
- SILKS Colcombet-Werk, Inc., New York. Printed silks. Featuring “Snow White and the Seven Dwarfs.” READY
- BAGS Columbia Products Corp., Brooklyn, N. Y. Kiddie bags, beach and knitting bags. In drug and syndicate stores. READY
- PENCILS Joseph Dixon Crucible Co., Jersey City, N. J. Pencils and pencil boxes. Stationery and syndicate stores. READY
- TOYS Fisher-Price Toys, Inc., East Aurora, N. Y. A line of toys. In department and syndicate stores. READY MARCH 1
- DOLLS Knickerbocker Toy Co., New York. Dolls. In department and toy stores. READY
- DOLLS Richard G. Krueger, Inc., New York, N. Y. Dolls. In department and toy stores. READY
- SOAP Lightfoot Schultz Co., New York. Soap figures. In drug and deportment stores. READY
- TRAINS Lionel Corp., New York. Toy trains and accessories. In department and toy stores. READY MAY 1
- JEWELRY Trifari, Krussman & Fishel, Inc., New York. Jewelry novelties. In department stores. READY FEB. 14
- DRESSES Trojan Maid, Inc., New York. Dresses based upon “Snow White.” In department stores and specialty shops. READY
- HATS Florence Reichman, Inc., New York. Ladies’ hats designed from “Snow White” head-gear. In large stores, principal cities only. READY
- PURSES Banner Bros., New York. Children’s purses of imitation leather and suedine. In department and chain stores. READY
- COTTONS Arthur Beir Cr Co., New York. Printed cotton goods. In department stores, etc. READY MARCH 15
- SILKS Chopak Textile Co., New York. Printed silks and rayons. In department stores and piece goods stores. READY
- KNITTED GOODS Moy Knitting Co., New York. Children’s bathing suits, snow suits, sweaters, scarfs, skating sets, etc. In department stores and specialty shops. READY
- UNDERWEAR Norwich Knitting Co., Norwich, N. Y. Children’s knitted underwear, sweatshirts and slacks: shorts of gabardine and denim. In department and syndicate stores. READY APRIL 1
- PATTERNS McCall Company, New York. Paper patterns for girls’ dresses. In department stores. READY
McCALL PATTERNS IN THOUSANDS OF STORES
This reproduction of a page in McCall’s Magazine shows the inauguration of at big “Snow White” dress pattern campaign. These patterns are in thousands of stores from coast to coast, and afford still another broad tie-up opportunity for exhibitors.
- BOOK David McKay Co., Philadelphia. “Snow White” $1.00 edition. In book and department stores. READY
- ROCKERS The Mengel Co., Louisville, Ky. Children’s rockers, etc. In department and toy stores. READY IN MAY, 1938
- STAMP SETS Fulton Specialty Co., Elizabeth, N. J. Rubber stomp sets. In drug, syndicate and department stores. READY
- BOOK Grosset & Dunlap, Inc., New York, N. Y. Fifty cent “Snow White” book. Drug, syndicate, book and deportment stores. READY
- BLOCKS Halsam Products Co., Chicago, III. Wooden blocks. In department and syndicate stores. READY AFTER MAY 1, 1938
- BOOK Harper & Bros., New York. “Snow White” $2.00 de luxe edition. In book and department stores. READY
- HANDKERCHIEFS Hermann Handkerchief Co., New York, N.Y. Handkerchiefs. In department stores, chain stores and children’s shops. REDAY MARCH 1
- TOYS N. N. Hill Brass Co. East Hampton, Conn. Metal pull and bell toys. In department, toy and syndicate stores. READY APRIL 1 DOLLS Ideal Novelty and Toy Co., New York, N. Y. Dolls. In toy and department stores. READY
- STATUETTES Seiberling Latex Products Co., Akron, 0. Rubber statuettes. In drug stores, chain stores and department stores. READY
- BOOKS Whitman Publishing Co., New York. Ten cent picture books, painting books, etc. In chain stores and book stores. READY
- CEREALS General Foods Corp., New York. Cereals packaged with “Snow White” designs. In grocery stores. READY FEB. 1
- BALLOONS Oak Rubber Co., Ravenna, Ohio. Rubber toy balloons. In syndicate stores. READY
- STATIONERY White & Wycoff, Holyoke, Mass. Stationery and greeting cards. In department stores and stationery stores. READY FEB. 1
- TUMBLERS Cataract Sharpe Mfg. Co., Buffalo, N. Y. (Selling agents for Libbey Glass Co., Toledo, O.) Imprinted glass tumblers and containers. READY FEB. 1
- DISPLAYS Old King Cole, Inc., Canton, 0. “Snow White” mechanical displays, animated and non-animated, and promotional material. Sold direct to stores and theatres. READY
- FLATWARE International Silver Co., Meriden, Conn. Flatware sets, etc. Date of distribution undetermined at press time.
- GAMES Milton Bradley Co., Springfield, Mass. “Snow White” games. In toy and department stores. READY
- NECKWEAR D. H. Neumann Co., New York. Boys’ neckwear. In department stores, etc. READY FEB. 1
- LIGHTS Noma Electric Co., New York. Christmas tree lights. In chain stores, department stores, electrical stores. READY SEPT. 1, 1938
- TEA SETS Ohio Art Co., Bryon, 0. Toy tea sets and sand toys. In syndicate stores and drug chains. READY MARCH 1
- SHARPENERS Plastic Novelties, Inc., New York. Catalin pencil sharpeners. In drug and chain stores. READY
Do not write the manufacturer
Owing to the wide distribution of all “Snow White” merchandise items, manufacturers find it impossible to undertake local tie-ups or even to enter into correspondence regarding local dealers, of whom there are too many to list. More than enough items to give an exhibitor unusual tie-up displays will be found within five minutes walk of any theatre.
Newsstand book on sale
Distributed on thousands of newsstands is a beautiful ten cent book edition of Walt Disney’s “Snow White and the Seven Dwarfs” published by the K.K. Publications, Inc. This book, 16 pages, 10 1/4″ x 9 1/4″, is on 80,000 American News Company dealers’ counters. The entire book is printed in four colors from original Walt Disney “Snow White” designers. Here is another tie-up medium for exhibitors, who should contact news dealers for cooperative displays. The cover of the book is illustrated below.


Example of an ad. featuring the several lines of “Snow White” dolls. as used by the great Chicago store of Marshall Field and Company. Other local stores will go into newspaper space with such items.
Straight out of fairy tale land – lovely “Snow White” and the seven droll dwarfs, soon to appear in the full-length Walt Disney production of this famous old story.
Our “Snow White” doll has real hair and eyes that open and close. She is 16 inches tall. The comic little dwarfs – “Bashful”, “Slepy”, “Grumpy”, “Sneezy”, “Doc”, “Happy”, and “Dopey” – are made of latex from the original Disney designs. They’re 5 inches tall.
Snow White $4.95
Dwarfs, each 50c
Snow White and the Seven Dwarfs Game $1
Toy Center – North, Wabash
The Young People’s Floor, the Fourth
Also Evanston and Oak Park
Marshall Field & Company, the store of the Christmas spirit
Armour standee
Below is a reproduction in miniature of the live-foot Armour and Company Star Ham display standee which was prepared for use in thousands of butcher shops and delicatessen stores in all parts of the United States. This standee is in full color. It presents another big tie-up possibility for exhibitors, especially during the Easter period.
King Features Syndicate
Of high importance to exhibitors in their communities is the eighteen week serial “Snow White” pictorial story strip. Tie-in with your newspaper that uses this feature. You may possibly tie in with an underline notice of your play date while the strip is running.
King Features “Snow ‘White” Newspaper Clients
ALABAMA: Birmingham News and Age Herald; Dothan Eagle: Mobile Times. ARIZONA: Tucson Citizen. ARKANSAS: Little Rock Democrat. CALIFORNIA: Los Angeles Examiner; San Francisco Examiner; San Diego Union Tribune. COLORADO: Pueblo Star-Journal and Chieftain; Colorado Springs Gazette and Telegraph. CONNECTICUT: Bridgeport Post-Telegram. DISTRICT OF COLUMBIA: Washington Times Herald. FLORIDA: Daytona Beach Sun-Record; Miami Herald; Jacksonville Times Union; Tampa Times; Tampa La Prensa; Pensacola News-Journal: Sarasota Herald. GEORGIA: Atlanta Georgian. ILLINOIS: Chicago Herald-Examiner. INDIANA: Fort Wayne Journal-Gazette; Anderson Herald; Vincennes Post; Evansville Courier; South Bend News-Times. KANSAS: Topeka Capital; Hutchinson Herald. KENTUCKY: Henderson Gleaner and Journal. LOUISIANA: Shreveport Times. MAINE: Bangor News. MARYLAND: Baltimore American. MASSACHUSETTS: Boston Advertiser; Springfield Union-Republican. MICHIGAN: Detroit Times; Grand Rapids Herlad. MINNESOTA: Minneapolis Tribune. MISSISSIPPI: Meridian Star; Clarksdale Register; Clarksdale Delta People’s Messenger. MISSOURI: Kansas City Journal-Post. NEW JERSEY: Atlantic City Press Union. NEW MEXICO: Albuquerque Journal. NEW YORK: Albany Times-Union; Buffalo Courier-Express; New York City Mirror; Syracuse American; Schenectady Sun; Rochester Times-Union. NORTH CAROLINA: Asheville Citizen-Times; Raleigh Times; Henderson Dispatch. NORTH DAKOTA: Fargo Forum. OHIO: Sandusky Register: Dayton Herald-Journal; Youngstown Vindicator; Athens Messenger; Toledo Times. OKLAHOMA: Muskogee Phoenix and Times Democrat; Cushing Citizen; Lawton Morning Press; Norman Transcript; Guthrie Tate Register; Tulsa World. OREGON: Portland News Telegram; Eugene Morning News. PENNSYLVANIA- Pittsburgh Sun-Telegraph; Philadelphia Inquirer; Harrisburg Sunday Courier; Scranton Scrantonian; Lancaster Sunday News. SOUTH CAROLINA: Charlston Post. SOUTH DAKOTA: Sioux Falls Argus Leader; Madison Daily Republican. TENNESSEE: Memphis Commercial-Appeal: Nashville Tennessean; Kingsport Times; Knoxville News Sentinel. TEXAS: Harlingen Star; San Antonio La Prensa; San Antonio Light; Fort Worth Star-Telegram; Brownsville Herald; El Paso Times; Dallas Times Herald; Houston Chronicle; Beaumont Enterprise; Tyler Courier-Times; Waco News; Port Arthur News; Austin American-Statesman. UTAH: Salt Lake City Tribune. VIRGINIA: Danville Register and Bee; Norfolk Pilot; Newport News Press; Richmond Times-Dispatch; Lynchburg News. WASHINGTON: Seattle Post-Intelligencer. WEST VIRGINIA: Clarksburg Sunday Exponent; Parkersburg News and Sentinel; Beckley Register. WISCONSIN: Milwaukee Sentinel. CANADA: Winnipeg Free Press; Montreal Le Petit Journal; Toronto Telegram; Ottawa Journal; Halifax Herlad; London Free Press; Vancouver Sun; Quebec L’action Catholique; Toronto Canadian Magazine.
Stupendous Central West Tie Up To 4,150 Kroger Company Stores
Co-operation on motion picture exhibitors in the Central West through the keen interest of the Kroger Grocery and Baking Company which operates 4,150 popular stores in Ohio, Indiana, Illinois, Michigan, Wisconsin, Pennsylvania, Kentucky, Virginia, Arkansas, Tennessee and Georgia.
The Kroger company, which is reputed to do a total of $10,000,000.00 in cash business in its circuit of stores, finds its interest in the “Snow White” brands of peanut butter, mayonnaise and other products, all of which are purveyed in glassware decorated with figures and the Seven Dwarfs. This glassware is manufactured by the Libbey Owens Gloss Co., and with the Cataract Sharpe Mfg. Co., as selling agents, through a license from the Walt Disney Enterprises.
A huge campaign is being put on by the Kroger company on its “Snow White” packaged specialties, and the company is receptive to local tie-ups in all of its situations with exhibitors who play the picture. A broadside has been prepared of the company headquarters bearing instructions and recommendations to all of its store managers relative to the tie-up possibilities of the brands with the picture. This is one of the most important and well-organized co-operative plans ever available to exhibitors, with the merchandise scheduled for general distribution by March 1, 1938.
How to tie in with Kroger
The Exhibitor should apply to the manager of the Kroger stores in his town. If he is in a town which is a regional headquarters, contact can be made with the branch manager at that headquarters, to learn from him what stores in his territory will co-operate. Out-of-town exhibitors can also check with the branch manager by telephone or letter regarding their local situations, if need be.
All tie-ups will be handled upon an independent local basis, by arrangement between the store managers and the exhibitors, as conditions in the various locations will probably vary.
The Kroger company has prepared a display piece almost five fen high which is to be their main tie-up exhibit. This will be used on counters and in show windows. Exhibitors may apply to the stores for privilege to add their own display accessories to the exhibit; such as playdate placards, lobby cards, stills, cut-outs, 40 x 60’s, one sheets, standees, etc.
Deals may be made to distribute heralds through the stores, with co-operative imprint.
The Kroger stores are all in choice trading locations. Traffic at these points has been checked. It averages 2,000,000 daily in vehicular and pedestrian traffic. Each of these store windows is equivalent to a prize 24-sheet board in attention value.
The “Snow White” items are also to be featured in the Kroger newspaper advertising, in all of the company’s key cities, and in many smaller communities as well. A total of 800 newspapers normally used, to a total of 8,000,000 circulation per week. Exhibitors may find it feasible to tie-in co-operatively with some of this advertising, to the extent of a special underline, or for larger space.
Depending upon local conditions, exhibitors may make a deal with Kroger stores to conduct special morning children’s matinees, with an advance build-up through a campaign by the stores and the exhibitor. There should be a parade, with music, to the theatre. Newspapers aid should be enlisted.
The Kroger merchandising of this specially packaged line is cleverly calculated. There are eight different items in the series of jars—each jar being marked with one of the seven dwarfs, the eighth being marked with “Snow White”. The sales are stimulated by the tendency of every buyer to acquire a complete set of eight jars. This suggests an angle in which the exhibitor may be able to co-operate in return for extra co-operation by the stores. The theatre may supply colored stills on a co-operative basis for store premiums. Where the theatre manager feels it advisable to use merchandise displays at the house, the Kroger people will reciprocate to an added extent.
Regional Kroger Managers
The following are the Kroger branch Managers and Sales Managers, and their addresses, with their headquarters from which they handle their surrounding territories.
- ATLANTA. GA – 1100 Murphy Ave. Branch Manager – J.C. Coleman Sales Manager – D. Swann
- CARBONDALE, Ill – 610 N. Illinois Ave.Branch Manager – H.W. Brac, Sales Manager – Vic. Theryoung
- CHARLESTON, W. Va. – 607 Washington St. West, Branch Manager – S.S. Rich, Sales Manager – H.E. Kleiner
- CHICAGO, III – 8235 Vincennes Ave., Branch Manager – G.C. Roney, Sales Manager – W.J. Roney
- CINCINNATI, O. – 1240 State St., Branch Manager – L.J. Huerkamp, Sales Manager – H.F. Decourcey
- CLEVELAND, O. – 570 Truscon Ave., Branche Manager – W.E. Carter, Sales Manager – J.S. Holdcraft
- COLUMBUS, O. – 457 Cleveland Ave., Branche Manager – B.P. Redman, Sales Manager – E.J. Gerner
- DAYTON, O. – 319 Hopeland Ave., Branch Manager – A.K. Kyte, Sales Manager – M. Mullen
- DETROIT, Mich. – 4750 Merrit Ave., Branch Manager – W.W. Rogers, Sales Manager – E.P. Robertson
- FORT WAYNE, Ind. – Glasgow Ave., Branche Manager – C.F. Bobilya, Sales Manager – M.C. Steiner
- GRAND RAPIDS, Mich. – 1435 Buchanan Ave. S.W., Branche Manager – L.O. Griffin, Sales Manager – W.E. Burke
- INDIANAPOLIS, Ind. – 1011 E. St. Clair St., Branch Manager – A. W. Metzger, Sales Manager – J.F. Hugenberg
- KANSAS CITY Mo. – 1501 Burlington Ave., Branch Manager – S.P. Evans, Sales Manager – E.J. Chaplicki
- LITTLE ROCK, Ark. – 222 Ferry St., Branch Manager – W. Smashey, Sales Manager – F.R. Allbright
- LOUISVILLE, Ky. – 1100 Garland Avenue, Branche Manager – B.C. Sale, Sales Manager – W.H. Sievert
- MADISON, Wisc. – 634 West Main Street, Branch Manager – S.E. Conger, Sales Manager – Don W. Ferris
- MEMPHIS, Tenn. – 1054 Florida Ave., Branch Manager – W.W. Dillard, Sales Manager – H.A. Dickinson
- NASHVILLE, Tenn. – 700 19th Ave., Branch Manager – N. Robinson, Sales Manager – F. Willingham
- PEORIA, Ill. – 111 Persimman St., Branch Manager – M. M. Payne, Sales Manager – Keith Hampton
- PITTSBURGH, Pa. 21st & Railroad Streets, Branch Manager – W.J. Hursford, Sales Manager – G.F. Knickerbocker
- ROANOKE, Va. – 2240 Shenandoah Avenue, Branch Manager – L.R. Sierveld, Sales Manager – L.H. McClung
- ST. LOUIS, Mo, – 1311 S. 39th St., Branch Manager – C.H. Webster, Sales Manager – K.B. Mictchell
- TOLEDO, O. – 135 Tecumseh St., Branch Manager – C.H. Tarbeck, Sales Manager – H.C. Graybill
Principal Kroger Cities
Below are the most important cities in which the Kroger company operates. Each one of the sections has many more communities in which the company is represented with one or more stores, the total of the chain being 4,150 stores.
- ATLANTA (Georgia): Atlanta
- CARBONDALE (Illinois): Benton, Carbondale, Harrisburg, Mt. Vernon. Paducah, Ky.; Cape Girardeau, Mo.
- CHARLESTON (West Virginia): Charleston, Huntington, Parkersburg, Clarksburg
- CHICAGO (Illinois): Aurora, Chicago, Oak Park, Waukegan, Gary, Ind.; Hammond, Ind.; Indiana Harbor, Ind.; Kenosha, Wisc.; Racine, Wisc.
- CINCINNATI, (Ohio): Cincinnati, Hamilton, Middletown, Covington, Ky.; Newport, Ky.
- CLEVELAND, (Ohio): Akron, Canton, Cleveland, Warren, Youngstown, Meadville
- COLUMBUS, (Ohio): Chillicothe, Columbus, Lancaster, Mansfield, Marion, Newark, Portsmouth, Springfield, Zanesville
- DAYTON, (Ohio): Dayton, Piqua
- DETROIT (Michigan): Ann Arbor, Bay City, Detroit, Flint, Mt. Clemens, Pontiac, Pt. Huron, Royal Oak, Saginaw, Ypsilanti
- FORT WAYNE (Indiana): Fort Waune, Huntington, Lima, South Bend, Marion, O.
- GRAND RAPIDS (Michigan): Battle Creek, Grand Rapids, Holland, Kalamazoo, Lansing, Muskegon
- INDIANAPOLIS (Indiana): Anderson, Indianapolis, Kokomo, Lafayette, Muncie, New Castle, Richmond, Terre Haute
- KANSAS CITY (Missouri): Kansas City, Springfield, St. Joseph, Kansas City, Kan.; Topeka, Kan.; Wichita, Kan.
- LITTLE ROCK (Arkansas): Ft. Smith, Hot Springs, Little Rock, Pine Bluff, Texarkana
- LOUISVILLE (Kentucky):
- Frankfort, Lexington, Louisville, Evansville, Ind.
- MADISON (Wisconsin): Beloit, Fond du Lac, Madison, Oshkosh, Rockford, Ill.
- NASHVILLE (Tennessee): Nashville, Bowling Green, Ky.
- PEORIA (Illinois): Decatur, Bloomington, Galesburg, Peoria, Springfield, Urbana
- PITTSBURGH (Pennsylvania): Pittsburgh, Steubenville, O.; Wheeling, W. Va.
- ROANOKE (Virginia): Danville, Lynchburg, Bristol, Roanoke, Bluefield, W. Va.; Welch, W. Va.
- ST. LOUIS, (Missouri): Columbia, Hannibal, Jefferson City, St. Charles, St. Louis, Webster Groves, Wellston, Alton, Ill.; Belleville, Ill.; Quincy, Ill.
- MEMPHIS (Tennessee): Clarksdale, Miss.; Jackson, Miss.; Memphis
- TOLEDO (Ohio): Bowling Green, Findlay, Fremont, Sandusky, Tiffin, Toledo, Adrian, Mich.; Jackson, Mich.; Monroe, Mich.


Co-Op. Page
At the right is a miniature reproduction of an eight-column mat designed as a masthead for a local co-operative advertising page. Utilizing the line sketches of the seven dwarfs and this heading, exhibitors and merchants are enabled to devise a corking co-op. page, selling the show and interestingly presenting the wares. Note the display space for the local slogan. The masthead is so designed that two inches can be lopped from the right end of the mat, making it suitable for newspapers of seven-column width.
INSPIRED BY WALT DISNEY’S FEATURE PRODUCTION Snow White and the Seven Dwarfs
BIG DISPLAY FOR LOCAL SLOGAN IN THIS SPACE
Order No. 2G ($1.00) for the eight-column benday mat of the above.
The seven line sketches below are sold on one two-column mat, 2F-30c.
Save Me For a Snow White Color Photo
This card, awarded with every purchase of $1, and if presented along with cards of each of the other six dwarfs in Walt Disney’s “Snow White and the Seven Dwarfs” (awarded with purchases at other specified stores) will entitle you to a beautiful multiple color Snow White scene.
Present the complete set of dwarf cards at the … Theatre.
Novel Merchandising plan For Community Show Build-up
A merchandising idea centered around seven leading stores is made feasible because of the seven dwarf characters. The plan, in general, is to have each of the respective merchants award cards, each with a cut of a dwarf, to the purchaser of every dollar’s worth of goods.
In order to get the complete set of cards, the buyer must purchase articles of a similar value from the six other stores cooperating in the plan. The complete set of seven cards entitles the customer to a premium at the theatre, which could be a color scene still.
The entire plan should be carried out in co-operation with a newspaper, as the idea is of such magnitude as to merit newspaper advertising and publicity. The respective stores should have window displays of “Snow White” accessories and contest announcements, along with a sample of the premium. Each specimen of dwarf card may also be enlarged for window display. It will serve for identification purposes. Stores should pay for all photographs awarded, the entire cost of this to be split among the merchants.
As photographs of Snow White will be much in demand, the merchandising campaign may be carried into the field of radio and publicized through direct-mail and a theatre trailer announcing the rules and names of concerns participating.
FOR NEWSPAPERS: As a circulation-builder, this stunt is a “natural.” The newspaper requires readers to save the seven dwarf coupons, mail them in and receive a color photo of one of the dwarfs.
The color photograph as a premium is only suggested, and the giveaway may be selected according to local conditions. The stunt herewith is only offered as a working plan which should be adapted to suit community peculiarities.
The seven dwarf mats are sold as a three-column unit. Order Mat No. 3A-45 cents.
Tune up your campaign! Cash in on the MUSIC
Eight melodious tunes, each one comparable to “Who’s Afraid of the Big Bad Wolf”, stud “Snow White” with lilting gayety. Of “hit” prominence, the numbers have been played and sung by leading radio entertainers on all national networks. Use them as the basis of your campaign. Tap your music exploitation file until It’s dry. Arrange window displays, lobby displays, itinerant singing quartets and roving musical trucks. Set up amplifiers and recording instruments in key spots like the lobby. mezzanine and store windows. Below are full descriptions of the record and sheet music campaigns; capitalize them for added business!
Sheet Music
Irving Berlin, Inc., 799 Seventh Avenue. New York. N. Y. is issuing five numbers in the “Snow White” score as sheet music backed by a music store national campaign including various display items. The songs are “I’m Wishing,” “With a Smile and a Song.” “Whistle While You Work,” “One Song” and “Some Day My Prince Will Come.” As soon as you date your show, go after orchestras in hotels, ballrooms, restaurants and radio stations. Supply them with orchestrations. Get window displays at the music stores; make lobby displays of the title sheets. Spot a song plugger in the lobby or mezzanine. Query the publishers, or their local representatives, for the names and addresses of local dealers.
Records
Novelties in the recordings and the promotion thereof offer exhibitors exceptional opportunities for business-building tie-ups with local music dealers. RCA Victor is marketing two popular records and a smart, decorative album consisting of three records adapted from the sound track of “Snow White.” These will be lavishly advertised by attractive full-color window streamers which are already in the hands of most dealers.
Following is a list of the Victor recordings:
- 25748 “Whistle While You Work” & “With a Smile and a Song” – Guy Lombardo and Royal Canadians
- B-7343 “Whistle While You Work” & “With a Smile and a Song” – Shep Fields and His Rippling Rhythm
- 25735 “With a Smile and a Song”, “Dig-a-Dig-Dig” and “Heigh-ho”
- 25736 “I’m Wishing”, “One Song” & “Whistle While You Work”
- 25737 “Dwarf’s Yodel Song” & “Some Day My Prince Will Come”
These [last three] records are recorded as originally presented in the picture by Snow White, the Seven Dwarfs and the Prince. Records are sold in an album.
A match for “Who’s Afraid of the Big Bad Wolf” in appeal, the “Snow White” score has aroused coast-to-coast interest. The music fans will be flocking to the scores to get their discs. Await them with the product and window displays, counter cards and other tie-ups which should tell ’em about “Snow White and the Seven Dwarfs!’ As we go to press, preparations to record the numbers by popular artists are under way by other companies.
Radio Trailers
Two-Minute Announcement
Announcer: Walt Disney’s first full-length animated Technicolor feature, “Snow White and the Seven Dwarfs” comes to the screen of the (…) Theatre this(…). The picture millions have been waiting for, a milestone in screen history. arrives for its local debut as one of the most amazing entertainments to come to the screen. “Snow White” is a “must” for every moviegoer. Ranking in importance with the advent of color and sound, it is decidedly now under the cinematic sun and a thrill for every man. woman and child. “Snow White” comes to the screen with all the ingredients of smash film fare – pathos, comedy, romance, excitement – all blended into ninety minutes of magnificent fun which will lift you right out of your seat. Daringly imbued with the Disney flavor which has appealed to millions throughout the world. “Snow White” fuses a dozen melodious tunes, matchless Technicolor made possible by a new $75,000 camera, stirring artistic beauty, realistic animation, a touching romance and the lovable highjinks of the seven dwarfs into a remarkable entertainment—the result of three years work during which Walt Disney guided 1,000 technicians and animators in the preparation and selection and editing of more than two and a quarter million illustrations. For one of the most enjoyable times ever spent in the theatre, you can’t afford to miss “Snow White and the Seven Dwarfs”, at the (…) Theatre this (…).
Half-minute Briefs
Announcer: The news is out! Walt Disney’s first full-length Technicolor feature, “Snow White and the Seven Dwarfs”, is coming to the (…) Theatre this (…). Magnificently hued in the new Multiplane Technicolor, this RKO Radio release brings to the screen a wealth of stunning entertainment in its drama, romance, comedy, melody and excitement.
Announcer: Here it comes, local movie fans!! The thrill you’ve been clamoring for hits the (…) Theatre screen this (…)! It’s Walt Disney’s first full-length Technicolor feature, “Snow White and the Seven Dwarfs”. The Disney genius imbues this RKO Radio release with tons of high comedy, romance. pathos, excitement and brilliant music, all dispensed in breath-taking Multiplane Technicolor. You can’t afford to miss “Snow White and the Seven Dwarfs”!
Announcer: The boldest experiment in screen annals since the advent of talking pictures arrived at the (…) Theatre in the form of Walt Disney’s first full-length Technicolor feature, “Snow White and the Seven Dwarfs”. Here’s a “must” film for every movie fan. Produced in the gorgeous new Multiplane Technicolor, “Snow White” offers brilliant entertainment embracing a musical score offering numbers equaling “Who’s Afraid of the Big Bad Wolf?”; the smart comedy antics of the seven dwarfs; a beautiful romance and a round of Disney touches which have made his previous efforts world-famous.


Souvenir Colorfoto – A smash accessory!
Here’s a swell giveaway … inexpensive … impressive…sensationally different! Hand ’em out as radio, contest and advance matinee premiums! Use ’em for store and window displays! Use ’em a hundred different ways—each one a show-seller! $6.00 Per M (Minimum order: 500 for $3.50)

Description of the Stills in “Snow White and the Sven Dwarfs” – RKO Radio Picture
Order All Stills Direct from Your Nearest RKO Radio Exchange
20 — 8 X 10 COLOR-GLOS PHOTOS
Turn to page twelve for the complete illustrations of these beautiful hand-colored stills. A honey as a prize premium! Prices: 15 c each in lots of eight or more; lesser quantities at 20c each.
SN1, SN2*, SN3, SN13*, SN AD 1*, SWS 5, SWS 21, SWS 27, SWH 11, SWH 34, SWH 44, SWH 55, SWH 56, SWH 57, SWH, 78, SWH 83, SWH 84, SWH 104, SWH 106*, SWH 115
(These stills are uprights, captions for which may be found among those for Set “B”. All other stills are flats, whose captions are given among those for Set “A”).
8 – 11 x 14 COLOR-GLOS PHOTOS
Gorgeous hand-coloring adorns this beautiful still set ideal for lobby and window displays in the finest shops. See page twelve for the illustrations. Price: complete set of eight for $2.00.
SWH 56 – See Set “A” for caption.
SWH 59 – Grumpy opposes the other dwarfs about keeping Snow White – a scene from Walt Disney’s “Snow White and the Seven Dwarfs”. RKO Radio Pictures.
SWH 100 – The wicked queen concocts the poisoned apple – a vital scene from Walt Disney’s “Snow White and the Seven Dwarfs”.
SN – Adv. 4 – The dwarfs and Snow White set to work cleaning up their house – a scene from Walt Disney’s “Snow White and the Seven Dwarfs”. RKO Radio Pictures.
SWS 28 – The dwarfs are pleased with Snow White’s proposal to work – a scene from Walt Disney’s “Snow White and the Seven Dwarfs”. RKO Radio Pictures.
SWS 33 – The surprised dwarfs find Snow White in their house – a scene from Walt Disney’s “Snow White and the Seven Dwarfs”. RKO Radio Pictures.
SWS 42 – The dwarfs return from their work in the mines – a scene from Walt Disney’s “Snow White and the Seven Dwarfs”. RKO Radio Pictures.
SWS 48 – Grumpy is adamant in his opposition to Snow White’s Remaining in the dwarfs’ house – a scene from Walt Disney’s “Snow White and the Seven Dwarfs”. RKO Radio Pictures.
SET “A” (25-8x 10 black-and-white flats; 10c each)
SN 1 – The witch queen brews the poison potion for Snow White’s apple in Walt Disney’s “Snow White and the Seven Dwarfs.” RKO Radio Picture.
SN 3 – The dwarfs return from their work in the mines in Walt Disney’s “Snow White and the Seven Dwarfs.”
SN 10 – Snow White flees to the forest interior warned by the queen’s huntsman in Walt Disney’s “Snow White and the Seven Dwarfs.” RKO Radio Picture.
SWS 5 – One of the dwarfs, tardy in going to Snow White’s rescue, is coaxed by a reindeer-a scene from Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWS 21 – Snow White experiences strange hallucinations in her forest flight In Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWS 27 – The Prince and Snow White, romantic principals in Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWS 41 – Seven sketches of the dwarfs, as seen in Walt Disney’s “Snow White and the Seven Dwarfs.” RKO Radio Picture.
SWH 11 – The queen instructs her huntsman to slay Snow White and return with her heart in the Jeweled case- -a scene from Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWH 18 – Snow White imagines the forest is a menacing creature in her forest flight in Walt Disney’s “Snow White and the Seven Dwarfs.” RKO Radio Picture.
SWH 33 – Snow White is thrilled with the dwarfs’ cute house in Walt Disney’s “Snow White and the Seven Dwarfs.” RKO Radio Picture.
SWH 34 – Snow White, aided by the animals, cleans up the dwarfs’ untidy house in Walt Disney’s Snow White and the Seven Dwarfs.” RKO Radio Picture.
SWH 44 – The dwarfs are startled to find their house occupied in Walt Disney’s first animated Technicolor feature. “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWH 55 – Dopey gets into difficulties with pots and pans in Walt Disney’s first animated Technicolor feature, “Snow White and the Seven Dwarfs.” RKO Radio Picture.
SWH 56 -The dwarfs mistake Dopey for a monster and set to beating him in Walt Disney’s “Snow White and the Seven Dwarfs” RKO Radio Picture.
SWH 57 Dopey seems stunned after the dwarfs beat him believing he is the house-breaker in Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWH 63 – Dopey looks under Happy’s beard to see if he is hiding anything in Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWH 68 – The dwarfs, obeying Snow White, go out to wash their dirty hands in Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWH 78 – Its “Let’s eat!” for the dwarfs in Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWH 79 – The dwarfs eagerly await Snow White’s dinner in Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWH 83 – The dwarfs and Snow White frolic after dinner in Walt Disney’s first animated Technicolor Feature, “Snow White and the Seven Dwarfs”.
SWH 84 – It’s the story-telling hour for the dwarfs in Walt Disney’s “Snow White and the Seven Dwarfs”.
SWH 104 – The birds try to warn Snow White against the witch queen in Walt Disney’s first animated Technicolor Feature, “Snow White and the Seven Dwarfs”.
SWH 111 – The queen is struck by lightning and falls to her death in Walt Disney’s “Snow White and the Seven Dwarfs”, RKO Radio Picture.
SWH 112 – The dwarfs mourn the entranced Snow White in Walt Disney’s first animated Technicolor Feature, “Snow White and the Seven Dwarfs”. RKO Radio Pictures.
SWH 115 – The prince arrives to find Snow White mourned by her animal friends and the dwarfs in Walt Disney’s first animated Technicolor Feature, “Snow White and the Seven Dwarfs”. RKO Radio Pictures.
Set “B” (12-8x 10 upright black-and-white stills; 10c each)
SN-AD 1 – Title card for Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SN-AD 3 – Snow White greets the dwarfs outside their house in Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SN 2 – Snow White flees the queen’s huntsman in Walt Disney’s “Snow White and the Seven Dwarfs.” RKO Radio Picture.
SN 7 – Snow White and her prince are reunited – a scene from Walt Disney’s in Walt Disney’s first Technicolor feature, “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SN 13 – The prince takes Snow White away on his white steed in Walt Disney’s “Snow White and the Seven Dwarfs.”
SN 16 – After-dinner merrymaking by the dwarfs and Snow White Is provided in Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SN 17 – The first meeting by the wishing well between the Prince and Snow White in Walt Disney’s first animated Technicolor feature. “Snow White and the Seven Dwarfs.” RKO Radio Picture.
SWH 9 – Snow White. as seen in Walt Disney’s “Snow White and the Seven Dwarfs;’ RKO Radio Picture.
SWH I4 – The queen’s huntsman, as seen in Walt Disney’s first animated Technicolor feature. “Snow White and the Seven Dwarfs.” RKO Radio Picture.
SWH 32 – The dwarf’s house, as seen is Walt Disney’s “Snow White and the Seven Dwarfs.” RKO Radio Picture.
SWH 65 – Grumpy stalks out of the room smack into an open door in Walt Disney’s “Snow While and the Seven Dwarfs”, RKO Radio Picture
SWH 106 – To the rescue of Snow While from the witch queen race the dwarfs astride fleet reindeer in Walt Disney’s “Snow While and the Seven Dwarfs”, RKO Radio Picture
Set “C” (10-8 x 10 black-and-white stills of heads and figures; 10c each)
SWH 47 – “Doc,” one of the dwarfs in Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWH 71 – Grumpy, as pictured in Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWH 72 – Dopey, as seen in Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWH 121 – Dopey, one of the dwarfs in Walt Disney’s “Snow White and the Seven Dwarfs.” RKO Radio Picture.
SWH 122 – Sleepy, as seen in Walt Disney’s “Snow White and the Seven Dwarfs,” RKO Radio Picture.
SWH 123 – Bashful, as seen in Walt Disney’s “Snow White and the Seven Dwarfs,” RICO Radio Picture.
SWH 124 – Happy, as seen in “Snow White and the Seven Dwarfs.” RKO Radio’s release of Walt Disney’s first animated Technicolor feature.
SWH 125 – Grumpy, as seen in “Snow White and the Seven Dwarfs,” RKO Radio’s release of Walt Disney’s first animated Technicolor feature.
SWH 126 – Left to right are Sneezy, Dopey and Happy, three of the dwarf characters in Walt Disney’s “Snow White and the Seven Dwarfs”, RKO Radio Picture.
SWH 127 – Bashful and Sleepy. as seen in Walt Disney’s “Snow White and the Seven Dwarfs”, RKO Radio Picture.

Chart of the Adventures of Snow White and the Seven Dwarfs
Highlights from the Walt Disney full feature-length production in Multiplane Technicolor, with dialogue, songs. dances and melodic score.
(This a but a faint outline of the story as filmed by Walt Disney and enhanced with brilliant incidents of humor and ingenious effects of mood and color.)
Note to Exhibitors—Use this cut as a Coloring Contest or as a Newspaper Feature. (5A—Mat 90c)
Victim of a Wicked Queen’s jealousy, little Princess Snow White is put at menial tasks. But, she is wooed by a handsome Prince.
The proud Queen daily asks her Magic Mirror who is the most beautiful in the realm. The Mirror always answers, “Snow White.”
Wishing herself to be the most beautiful, the Queen has her huntsman take Snow White away to kill her. However, Snow White’s beauty and tenderness melt him. The huntsman releases her and bids her escape into the forest. There she wanders, terrified by strange shapes, until she falls, exhausted.
The friendly animals of the forest guide Snow White to a quaint cottage in a glade, so small that it looks to be a children’s playhouse.
Snow White finds it in disorder. Aided by the friendly animals, she makes everything tidy.
The cottage is the home of the merry Seven Dwarfs, who are at work in their jewel mine. When they return, they adopt Snow White as their housekeeper, and all are happy.
The wicked Queen, by means of sorcery, learns that Snow White is alive. She drinks a mystic liquid and turns herself into a witch. She finds Snow White and tempts her to eat an evil apple.
All the forest animals scamper to alarm the Seven Dwarfs. The forest rings with excitement as animals and Dwarfs join forces. They dash pell-mell to the rescue, hot on the heels of the witch. She is about to escape over a mountain, laughing at the fury of the Seven Dwarfs. Suddenly, a bolt of lightning ends her.
But, alas, poor Snow White seems to have died from the witch’s apple. So the Seven Dwarfs place her in a magnificent crystal case and gather around it to mourn her loss. Prince Charming comes by and kisses her cold lips. Instantly, Snow White is revived. She rides away with the prince, amid the cheers of the loyal seven dwarfs.
“Snow White” Parade Masks and Relief Dwarfs
Old King Cole, Inc.. has prepared two sets of novel campaign aids, suitable for unusual exploitation and ballyhoo stunts. Above are illustrated the eight relief figures of the dwarfs and Snow White. The figures of the dwarfs are approximately 26” high each, with the figure of Snow White 42″ high. Each figure h in full color, durably constructed and a fine reproduction. Price: $36.00 per set of seven dwarfs and Snow White, or $6.00 for each figure. Indicate number when ordering singly.
The parade masks, two of whose uses are shown herewith, are made of four ply Laminite (exclusive papier mache). They are excellent sculptured models, colorfully finished. Each has a coating of special spar varnish, contributing to weatherproofing. Each head is titled with a padded head-piece so it can be worn for parade use. In addition each mask is fitted with a heavy strap iron device by which it can easily be attached to a marquee, over the door, on the wall, etc, after its use in the parade. Each head is approximately twenty-seven inches in diameter. Price is $9.00 each or $72.00 for a set of eight masks of the seven dwarfs and Snow White.
Order direct from OLD KING COLE, Inc. CANTON, OHIO
Terms: 50% cash with other balance C.O.D.
These attractive prices are possible only because RKO has under-written the manufacture of large quantities of these parade masks and relief dwarfs.
Illustrations show the use of masks for parade and decorative purposes.
The Bannerette
A Smart Theatre Accessory! Red and Blue on White Satin a ft. 3 in. by 4 ft. 4 in. $1.75 Each
National Screen Accessories Display Rental Service
A masterly line of striking, arresting, eye-appealing displays for lobby and theatre display has been prepared by the National Screen Accessories, under its display rental service for “Snow White and the Seven Dwarfs.”
The “Hollywood Special,” a honey of a display, illustrated at the right, is among the various items available. A 30 x 40, banners, transparencies, streamers and other pieces are also available. Query National Screen direct for details of its display rental service.
NATIONAL SCREEN ACCESSORIES 525 West 43rd Street New York, N. Y.
“Hollywod special”
In two sizes to fit 40 x 60 and 40 x 80 frames. The latest thing in modem display ideas for your lobby. This display on “Snow White and the Seven Dwarfs” gives depth, color and the luminosity of indirect lighting. It’s everything in the way of a de luxe piece for your theatre lobby.

Advertisements
- 101 (2” x 1”, 14 lines) Mat 15c
- 102 (2” x 1”, 14 lines) Mat 15c
- 103 (2” x 1”, 14 lines) Mat 15c
- 104 (2” x 1”, 14 lines) Mat 15c
- 105 (2” x 2”, 28 lines) Mat 15c
- 106 (2” x 2”, 28 lines) Mat 15c
- 107 (2” x 2”, 28 lines) Mat 15c
- 108 (2” x 3”, 43 lines) Mat 15c
- 109 (2” x 3”, 43 lines) Mat 15c
- 110 (2” x 4 1/4”, 63 lines) Mat 15c
- 111 (2” x 4”, 55 lines) Mat 15c
- 112 (2” x 4”, 55 lines) Mat 15c (The great full-length feature production)
- 113 (2” x 4 1/4”, 60 lines) Mat 15c (Behold! The miracle of the movies!)
- 115 (2” x 4 3/4”, 67 lines) Mat 15c (Disney and the thousand artists who worked three years to make it
- 116 (2” x 4 3/4”, 68 lines) Mat 15c (Get excited!)
- 117 (2” x 4 3/4”, 68 lines) Mat 15c (At last!)
- 118 (2” x 4 3/4”, 68 lines) Mat 15c (See)
- 118bis (2” x 5”, 70 lines) Mat 15c (The miracle in motion pictures is here at last!)
- 119 (2” x 5 1/2”, 75 lines) Mat 15c (His first full-length feature!)
Advance teaser ad series
Here’s a series which will set the town talkin’! It introduces the seven dwarfs, each in a single one-column ad, with “cute”, provocative copy. Start this series about two weeks before your opening, publishing one each day.
The set could also be used for a throwaway campaign, wherein a person assembling a complete set of seven cards, each with a different dwarf, should receive a Sounvenir Colorfoto at the box-office in exchange for his set.
- 120 (2” x 6 1/4”, 87 lines) Mat 15c (Dopey)
- 121 (2” x 6 1/4”, 87 lines) Mat 15c (Bashful)
- 122 (2” x 6 1/2”, 90 lines) Mat 15c (Sleepy)
- 123 (2” x 6 1/2”, 90 lines) Mat 15c (Sneezy)
- 124 (2” x 6 1/2”, 90 lines) Mat 15c (Grumpy)
- 125 (2” x 6 1/2”, 90 lines) Mat 15c (Happy)
- 126 (2” x 7”, 98 lines) Mat 15c (Doc)
Advertisements (continued)
- 127 (2” x 7”, 95 lines) Mat 15c (As exciting as a western)
- 129 (2” x 9 1/4”, 130 lines) Mat 15c (Join the happy crowds!)
- 130 (2” x 9 3/4”, 135 lines) Mat 15c (The most anticipated picture in years!)
- 131 (2” x 11”, 155 lines) Mat 15c (Time says: exciting)
- 132 (2” x 11 3/4”, 165 lines) Mat 15c (Jimmy Fidler says)
- 133 (2” x 12”, 170 lines) Mat 15c (Three years in the making)
- 201 (4” x 1 3/4”, 50 lines) Mat 30c (Title)
- 202 (4” x 2”, 56 lines) Mat 30c (Title)
- 203 (4” x 2 1/2”, 60 lines) Mat 30c (Title)
- 204 (4” x 2 1/4”, 66 lines) Mat 30c (Title)
- 205 (4” x 2”, 56 lines) Mat 30c (Title)
- 206 (4” x 3 3/4”, 110 lines) Mat 30c (Title)
- 207 (4” x 4 1/4”, 130 lines) Mat 30c (Title)
- 208 (4” x 4”, 120 lines) Mat 30c (Title)
- 209 (4” x 5 1/4”, 146 lines) Mat 30c (Walt Disney’s first full-length feature production)
- 210 (4” x 6 1/2”, 180 lines) Mat 30c (A thousand artists)
- 212 (4” x 7 1/2”, 210 lines) Mat 30c (Press extracts)
- 213 (4” x 6 3/4”, 190 lines) Mat 30c (See)
- 214 (4” x 7”, 194 lines) Mat 30c (Held over)
- 215 (4” x 6”, 170 lines) Mat 30c (Walt Disney’s first full-length feature production)
- 216 (4” x 7 1/4”, 204 lines) Mat 30c (Now for the picture you’ve heard and read so much about!)
- 217 (4” x 7”, 190 lines) Mat 30c (Get excited)
- 218 (4” x 7”, 190 lines) Mat 30c (At last!)
- 219 (4” x 8”, 220 lines) Mat 30c (It took 3 years)
- 220 (4” x 10 1/2”, 296 lines) Mat 30c (No word can describe its beauty)
- 221 (4” x 11”, 310 lines) Mat 30c (Three years in the making)
- 301 (6” x 5 1/2”, 225 lines) Mat 45c (Get excited!)
- 302 (6” x 6 1/2”, 270 lines) Mat 45c (Walt Disney’s first full-length feature production)
- 303 (6” x 8”, 345 lines) Mat 45c (A glorious new world)
- 304 (6” x 8”, 345 lines) Mat 45c (So he won’t talk, eh!)
- 305 (6” x 8 1/2”, 360 lines) Mat 45c (It took 1000 artists)
- 306 (6” x 10”, 426 lines) Mat 45c (What a treat!)
- 307 (6” x 7 3/4”, 495 lines) Mat 45c (Now you can see)
- 308 (6” x 15”, 630 lines) Mat 45c (Hey folks! Today’s the day!)
- 401 (8” x 12”, 680 lines) Mat 60c (Now it’s here)
- 402 (8” x 11”, 620 lines) Mat (His first full-length feature production!)
- 403 (8” x 12 3/4”, 720 lines) Mat 60c (Now you can see it!)
- 501 (10” x 2”, 140 lines) Mat 50c (His first full-length feature production!)
- 502 (10” x 14”, 970 lines) Mat 90c (To steal your heart away!)
- 801 (16” x 4”, 440 lines) Mat $1.00 (His first full-length feature production!)
The Radio City Music Hall campaign
Herewith are four advertisements published in the New York newspapers as part of the campaign by the Radio City Music Hall. The ads are available as mats, completely devoid of all Music Hall billing and playdate notices. These spaces are intended for your signature, billing and other theatre credits.
- RC1 (4” x 3 3/4”, 100 lines) Mat 30c
- RC2 (6” x 7”, 300 lines) Mat 45c
- RC3 (8” x 9 1/2”, 520 lines) Mat 60c
- RC4 (8” x 9”, 520 lines) Mat 60c
Publicity and features
Note to Exhibitors—Below is a five-column tabloid-page newspaper feature, which is suitable not only for use in tabloid publications but also as part of an international page newspaper feature. Submit it to your editor in advance of your “Snow White and the Seven Dwarfs” play date.
5 b – Mat 90c (Includes text)
(Above) Jacob Ludwig and Wilhelm Carl Grimm, authors of the classic fairy tale… Three scenes from the Walt Disney production of the legend… Inset is a miniature of an old New York theatre program relating to a Christmas season staging of the story.
Snow White at last comes into her own as latest wonder of the picture screen
by George T. Pardy
The heroine of Snow White and the Seven Dwarfs has been devised to appear as the “ideal girl,” for she has been endowed with the qualities which most appealed to Walt Disney’s corps of talented young men who pooled their efforts to create her.
In general, she had to follow the description in the fairy tale—”hair black as ebony, skin white as snow, lips red as the rose.” As for her personality, facial expressions, and so on, the artists had the freedom of invention. The Snow White of the film is an adorable girl, with her sweetness enhanced by vivacity, a free play of emotion, and a definite sense of humor.
Disney took care to assign to artists who were fond of drawing pretty girls the task of turning the basic sketch of the character into a lifelike young woman for the screen.
An event, surely not the least of those marking the incessant progress of motion picture entertainment, is the current advent to the screen of the sumptuously produced full-length animated feature, Snow White and the Seven Dwarfs in Technicolor, with music and dialogue—a challenge to the major dramatic features of Hollywood. This remarkable example of the work of Walt Disney—creator of Mickey Mouse and the Silly Symphonies—as an evolution from the half-reel, one-reel, and two-reel subjects, has struck the amusement world with a force parallel to the effect made by the transition of pictures from “silent” to sound. Snow White and the Seven Dwarfs, three years in the making, had its origin between the covers of one of the most widely circulated and popular books known to civilization—the Grimms’ tales. This compilation of legendary folklore and the madcap, magical doings of sprites, goblins, and other mysterious little people, first appeared in print about 100 years ago. It was translated into every civilized language and brought undying fame to its brother-authors, Jacob Ludwig and Wilhelm Carl Grimm. It is now delighting its wider public in Walt Disney’s achievement, admittedly the climax of all animated screen treatment of fanciful characters.
Since 1934, five hundred and seventy artists were employed on the production, which, completed in December 1937, runs over an hour on the screen. At a conservative estimate, 2,000,000 sketches were made for the picture, every drawing having been redrawn three or four times.
Millions of fans who reveled with unrestrained delight at the whimsical adventures of Mickey Mouse will discern a similar spirit of scintillating fun in Snow White and the Seven Dwarfs, especially when birds and animals take part in the action. But the full-length feature, operating over a wider range, provides diverse entertainment of a kind the screen has never offered before. One hardly expects to find the strength of virile drama among the audience-pleasing attributes of such a flight into the realms of fancy as Snow White and the Seven Dwarfs. Yet it is there in generous quantity, carrying a double appeal to juveniles and adults. The rare feat has been accomplished of combining dramatic thrills and infinite pathos with the exquisite, delicately enchanting atmosphere of fabled Gnomeland, lilting tunes, merry, catchy songs, and bewilderingly graceful dances.
An essential factor in successful drama is the early arousing of audience sympathy for the hero or heroine. Snow White, the little Princess, gets that much-desired sympathy because she is, from first to last, a victim of undeserved persecution, a sympathy heightened and sustained by her innocent charm. You see her under the iron rule of the wicked Queen, degraded from her royal state to that of a scullery maid, dressed in ragged garments. For the Queen is jealous of the fast-budding beauty of Snow White, which she fears will someday surpass her own imperial loveliness. Daily, the Queen’s vanity is appeased by the flattery of her familiar demon in the magic mirror she consults, and she is content with the assurance that she is “the fairest in the land”! Until the fateful hour when she is told that Snow White, even in rags, is fairer than the wearer of the crown.
The bud has blossomed into full flower, and the Queen’s fury is intensified when she secretly witnesses an interlude of romance where Snow White is approached in her sordid surroundings and serenaded by a handsome Prince. The outraged sovereign’s vengeance strikes swiftly. At her command, her huntsman takes Snow White to the forest to kill her. But pity touches his heart, and he allows her to escape.
She runs on fast-faltering feet into the darkling wood until she falls exhausted, sobbing and helpless. Then from out the shadows emerge birds and animals that cheer her with song and sympathy, and finally guide her to a place of refuge—the house of the Seven Dwarfs.
It is so small a dwelling that Snow White thinks it must be the home of children. Helped by the birds and beasts, she gives it a thorough house-cleaning. The dwarfs come singing from their labors in the diamond mine. She wins the little men’s hearts with her sweetness, charm, and good cooking, and they adopt her as their pet and housekeeper.
Meanwhile, the Queen learns from her magic mirror that Snow White still lives. With arts of sorcery, she changes herself into an old witch, finds her rival, and persuades the little Princess to take a bite of an apple, which is supposed to grant any wish made by the person who eats it. The fruit is enchanted, and Snow White falls into a sleep like death.
The birds and animals seek the dwarfs and inform them that their little housekeeper is in danger. The dwarfs each mount a deer and gallop furiously through the forest. As they near the house, the witch takes to flight. They pursue her through a blinding rainstorm. She is trapped on a high cliff. There, a lightning bolt strikes her, and she falls to destruction over the precipice.
The dwarfs find their Princess seemingly dead, but she looks so sadly beautiful that they cannot bear the idea of burying her in the earth. So Snow White is laid to rest in a case of glass and gold, surrounding which her loyal little friends keep watch.
But now the Prince Lover appears. His kiss awakens the pretty Princess to life again. Together, the two sweethearts go to their castle home, while the Seven Dwarfs speed them on their way with exultant farewells.
So much for the story’s drama and pathos, enhanced by the glories of its musical, Technicolor, and multiplane three-dimensional camera effects. But the film’s greatest claim to popularity perhaps lies in the exquisite comedy angles that pervade the entire picture. Birds, animals, and little men are irresistibly comical and bizarre. Each dwarf stands out in bold relief with some oddity of behavior that makes one remember him separately. Doc, Happy, Sneezy, Dopey, Grumpy, Bashful, and Sleepy are characteristic in each case of the peculiar traits of the individual.
No spectator can ever forget those tiny chaps and the laughter provoked by their wrangles. The grownups, from whom the greatest enthusiasm is anticipated, will look upon Snow White and the Seven Dwarfs through children’s eyes. For this is the sort of imagery that makes the old grow young and the young meet the elder generation on a common level of unrestrained delight.


“Snow White and the Seven Dwarfs” Comes to (Palace) Theatre as Screen’s Newest Milestone
Walt Disney’s First Full-Length Animated Feature in Multiplane Technicolor Vivid Picturization of Grimm Brothers’ Fantasy
Movie fans are about to have their hopes realized for something new and enchanting, in Snow White and the Seven Dwarfs, the first Walt Disney animated film to be made in full feature length, in Technicolor, with dialogue, songs, dances, and a complete musical score. The picture was three years in the making, its cost being estimated at $1,500,000.
The plot of Snow White is an adaptation of one of the most loved of the Grimm Brothers’ tales. First published in the early part of the last century, this book has been translated into every civilized language. Its readers are numbered in the millions. A sterling favorite with generations of Americans, past and present, it is equally popular abroad.
Meeting Snow White, the dainty, lovable little princess, on the screen is the same as greeting an old friend one has not seen for years. Her adventures begin when the wicked Queen, jealous of Snow White’s budding beauty, first degrades her to the level of a scullery maid. Even then, the Queen’s magic mirror informs the sovereign that Snow White, though attired in rags, is still the fairest in the land.
The palace huntsman is ordered to take the princess to the forest and kill her. But he permits her to escape. She is befriended by the pitying birds and animals and finds refuge with the Seven Dwarfs in their woodland home. Thither comes the wicked Queen in the guise of a witch. Snow White eats a bewitched apple given her by her rival, and falls into a death-like slumber. So lovely is she that the dwarfs, instead of burying their beloved little housekeeper, place her in a coffin of glass and gold by which they keep watch. The tiny chaps have already wreaked vengeance on the witch, who has fallen to destruction over a precipice. Then came the handsome prince, who loved Snow White when she was only a scullery maid, awakens her with a kiss, and the sweethearts leave together for their castle home.
This is only a sketchy outline of the action in the RKO Radio Picture, which is studded with detail. There are laughs galore, inimitable incidents too many to describe, as well as dramatic thrills, romance, and pathos, while over all is the fascinatingly bizarre atmosphere of Fairyland, exquisitely developed in three-dimensional color photography.
Song hits in Snow White and the Seven Dwarfs include the dwarfs’ marching song “Hi-Ho,” their washing song, the songs by Snow White: “Some Day My Prince Will Come,” “With a Smile and a Song,” “Whistle While You Work,” and “The Wishing Well Song,” and the Prince’s song, “One Song.” The melody of “Some Day My Prince Will Come” is the picture’s theme music.Snow White and the Seven Dwarfs had its world premiere in Los Angeles during last Christmas week to a stupendous public acclaim.
Disney “Firsts”
Walt Disney has pioneered every forward step in the history of present-day animated pictures.
The first animated sound picture in the film industry was his Mickey mouse Steamboat Willie, made in 1928.
The first in color was Flowers and Trees, which raked in awards both in the United States and abroad.
The first animated picture to show an illusion of third dimension was The Old Mill, recently completed, and which was a testing ground, in this respect, for the first animated feature, Snow White and the Seven Dwarfs, produced in Technicolor.
All of these developments have taken place within the last ten years, since Disney started his new extensive studio in the back of a garage, with his brother and two assistants as the staff.
New characters come into being in “Snow White”
Walt Disney introduces an entirely new set of characters in his feature-length production, Snow White and the Seven Dwarfs. Snow White is the first Disney character entirely devoid of caricature. Snow White is a sweet, natural, graceful young girl. The handsome young Prince who seeks Snow White’s hand is, like the heroine, a human character without any exaggeration.
In addition, those who have worked in the feature predict that the seven little dwarfs are due to steal many a scene with their high comedy.
The other new Disney characters include the wicked beautiful Queen who turns herself into an old hag to trick Snow White into eating the poisoned apple, and the huntsman who is delegated by the queen to take Snow White into the woods and kill her, but who turns her loose instead.
The picture, released by RKO Radio, is playing movie houses all over the world as the principal attraction on a par with Hollywood’s most pretentious flesh-and-blood productions.
Tinting Snow White—An Interesting Problem
Months of research were spent by the chemists in the paint laboratory at the Walt Disney studios to find new shades of color for the first feature-length animated picture, Snow White and the Seven Dwarfs.
As a result of the work involved, fifteen hundred different colors and shades of paint went into the making of the seven-reel Technicolor production.
The way the Disney pictures are colored is this: first, the animating artists’ finished drawings are traced onto sheets of transparent celluloid, and the tracing then outlined in India ink. From this point, the celluloids go to scores of young women who apply the paint to them. When the celluloids are all colored, they are sent to the Technicolor camera, where they are placed over watercolor backgrounds and photographed.
In numerous instances, as many as twenty-six shades of paint were used on a single celluloid sheet during the making of Snow White. All of the paint used in the Disney productions is ground and mixed from secret formulas within his laboratories.
Disney Crew Make Snow White Ideal
The heroine of Walt Disney’s first feature-length production, Snow White and the Seven Dwarfs, should be the perfect girl, for she was given the qualities which appealed to all of the young men in [to suffer quite so much at the hands] creating her.
Of course, as to some points of physical appearance, she had to follow closely the description set forth in the original Grimm’s folk tale—”hair black as ebony, skin white as snow, lips red as the rose.” But as to her personality, facial expressions, and so on, this is where the young artists had considerable leeway.
The Snow White of the Disney feature film in Technicolor is a charming young girl, with her sweetness nicely tempered by a great deal of vivacity and a definite sense of humor.
When the physical appearance of Snow White was decided upon through the means of thousands of preliminary sketches, Disney found out which of his animating artists liked drawing pretty girls above anything else, and assigned them the task of turning a sketch into an absolutely lifelike young woman on the screen.
Seven Dwarfs Are Taught to Bathe
Washing may not be an event in the lives of most people, but it is in the cases of the seven dwarfs in Walt Disney’s first feature-length production, Snow White and the Seven Dwarfs, and it happens to provide a crisis.
One of the many amusing sequences in the seven-reel animated Technicolor production takes place when Snow White, taking refuge from the wicked Queen in the dwarfs’ woodland cottage, is mildly horrified to find that her newly found friends are not only the world’s worst housekeepers but are barely acquainted with the uses of water, where themselves, their clothes, and their dishes are concerned. In one instance, she makes all seven file out to the trough back of the cottage to wash their faces and hands, bidding them also not to forget under their beards. After Doc, self-appointed leader of the band, tells them not to be nervous concerning the ordeal, they fall to, to the accompaniment of a merry melody with amusing lyrics.
The Seven Dwarfs—Their Characters in “Snow White”
The seven sterling dwarfs in Walt Disney’s first feature-length production, Snow White and the Seven Dwarfs, will not be strange personalities to anyone viewing them. Each represents a type of human being in this fascinating production in Technicolor which RKO Radio distributes to the world’s picture houses.
Doc, the self-appointed leader, is self-important and pompous. He has a habit of getting his words and ideas mixed up and of searching for the right word in vain. He’s overly gracious and very efficient in his own mind, until an important decision is necessary, when he becomes so nervous that he can’t make any decision at all.
Happy is a fat, roly-poly little fellow with a perpetual smile and a bright, cheery voice.
Sleepy sees life through half-closed eyes and talks always through a yawn. He talks little, but when he does say something, it is straight to the point, even though he doesn’t know it.
Grumpy, the real leader of the group, is “agin” everything. His chief hate is “wimmin.” He is grouchy, a crab, and yet, much to his disgust, he has a very soft heart under the veneer. When trouble arises, it is Grumpy who acts first.
Dopey is a lovable, slightly-balmy fellow who gets a great kick out of life. He is sly and mischievous.
Sneezy is subject to hay fever and talks through his nose. He always sneezes at the wrong time.
Bashful is kind-hearted, willing, and an incurable romantic. He is especially shy, however, in the presence of Snow White. Following the first showings of Snow White and the Seven Dwarfs, many from the audiences declared that the dwarfs would be able to claim stardom in their own right. However, while their acting qualities will endear them to millions, back in the paint pots they went when Walt Disney completed the picture. He feels that bringing any of the Snow White characters to the screen again would be an anti-climax. They belong in Snow White and Snow White only.
Snow White Makes Merry
In Walt Disney’s full-length feature, Snow White and the Seven Dwarfs, the heroine sings several songs. One of them is heard in the above scene from the RKO Radio Picture produced in Multiplane Technicolor. (2-D – Mat 30c)
“Snow White and the Seven Dwarfs”, Walt Disney’s first feature-length production, will be translated into at least six languages. These include Spanish, French, Italian, Swedish, Norwegian, German and perhaps Dutch.
Eight songs, all composed by members of Walt Disney’s studio music department, are heard in Disney’s first feature-length animated production, “Snow White and the Seven Dwarfs”.
Walt Disney introduces an entirely new set of characters in his feature-length production, Snow White and the Seven Dwarfs. These newly created characters will be seen only in this one feature, as their creator feels it would be an anti-climax to put them in any other vehicle.
The Seven Dwarfs Sing as They Go
Singing their “Hi-Ho” song, Walt Disney’s inimitable dwarfs, who share the starring honors with the heroine in his full-length feature production Snow White and the Seven Dwarfs, trudge homeward from their diamond mine, little suspecting that a beautiful stray Princess has wandered into their cottage and occupied all seven of their little beds. The RKO Radio Picture is the latest animated achievement in music, song, and fantasy in Multiplane Technicolor. (3-B – Mat 45c)
“Snow White” Born of Harz Mountain Legend
Those seven tiny, active, stunted fellows you see digging diamonds, dancing, and forming a fighting guard for the pretty little princess in Walt Disney’s full-length, animated Technicolor picture Snow White and the Seven Dwarfs, seem very real and interesting in their whimsical way. Many peasants believed absolutely that the dwarfs really existed, and would even swear they had seen the little chaps going to their task of unearthing gems from fairy mines at early dawn, or returning to their mountain homes at sunset.
It was from such villagers that Jacob and Wilhelm obtained much of the material for their famous Grimm’s Fairy Tales, from which the Disney film is adapted. Rural superstitions have always credited the Harz Mountains with being the favorite haunt of spirits and fairies, both good and bad. Among the good ones are the elves who protect the princess in Snow White and the Seven Dwarfs.
These gnomes were supposed to possess magic powers, utilized in summoning the various wild animals and birds of the Harz Mountains to their assistance when engaged in fighting off the assaults of evil spirits. So it follows that in the film, one sees the birds and beasts helping the seven dwarfs to rescue Snow White from the Wicked Queen.
In the original legend, the Queen sells herself body and soul to the bad spirits of the mountain. Therefore, she is able to work her witcheries upon innocent people, as she does in the picture. Translated from famous folklore, the rhymed invocation uttered by a suppliant to the evil spirits runs as follows:
“If I fail to keep my vow
That I take and swear to now,
May the vultures, wolf, and bear
On my body feed and tear,
Mock my agony and groans,
Rend the red flesh from my bones;
Where the dark pine branches wave,
Be this wilderness my grave!” In working out the dramatic plot of Snow White and the Seven Dwarfs, the Grimm brothers naturally brought to the assistance of the little princess the “Seven Dwarfs under the Hill,” guardians of the innocent who defy the Powers of Darkness!
Screen’s Mystery Star
She has never been on the screen before, and she will never appear again. Yet, she is the star of a tremendous Hollywood production! Who is she? She is Snow White, the heroine of Walt Disney’s feature-length animated production in Technicolor, Snow White and the Seven Dwarfs. This ebony-haired young girl with “skin white as snow and lips red as a rose” can hold her own where pulchritude is concerned with any Hollywood glamour girl, and her acting ranks right up with that of the best celluloid heroines. In addition, with an excellent soprano voice, she sings many a delightful melody in the production. The character of Snow White is the first Disney creation entirely devoid of caricature.
Enchanting Music Aids “Snow White”
Special musical instruments were built within the Disney studios for the background music in some sequences of the first animated feature, Snow White and the Seven Dwarfs.
An example of this was the special construction of tympanies, capable of going up to C sharp, four full tones higher than the average tympanies. These were used to excellent effect in the montage sequences showing Snow White running terrified through dark woods.
The studio musicians created descriptive musical backgrounds for the Wicked Queen and the witch into which she turns herself by the use of low cello notes, basses, and bassoons.
When the dwarfs believe Snow White is dead, and build her a case of crystal and glass so that they may still admire her beauty, the vibrant swelling tones of a church organ are heard. These blend subtly into a large chorus of mixed voices and underlying harp music in the later scenes, which show the handsome young prince coming upon Snow White’s coffin in the woods. Voices and a full orchestra rise into a crescendo in the final scenes showing the prince and Snow White riding away to “happiness ever after.”
“Snow White” Proves Above a Cartoon
Walt Disney’s first feature-length animated production, Snow White and the Seven Dwarfs, is definitely not an elongated cartoon.
The musical feature is done in soft tones of color, not in the bright hues of the Mickey Mouse and Silly Symphonies shorts. Each scene is an exquisite composition of color and shading. Each frame of film could stand alone, comparable in its beauty to the most ambitious painting.
Whereas the Disney short subjects are one continuous laugh from start to finish, his first feature presents all the elements of great entertainment: romance, pathos, suspense, and humor. Although the other established Disney characters are all animals, for Snow White he has created human beings with human emotions, intended to be as real to the audience as flesh-and-blood people.
“Snow White” Filmed for Allure; The Seven Dwarfs Are Comic
For years, moviegoers the world over have been borne on the wings of fantasy by Walt Disney’s animated characters for from eight to ten minutes at a time, but now, in Snow White and the Seven Dwarfs, his first full-length feature, they are enabled to forget the world of realism and revel in the beauties of an idealized drama for an hour and a quarter.
For the first time, a producer has evinced the daring to bring to the screen a fairy tale in the spirit in which it was written and beloved. “Snow White” has been visualized magically in more than 7,000 feet of film.
Compared with Snow White and the Seven Dwarfs, the Mickey Mouse and Silly Symphonies produced by Disney are little more than chapters of stories instead of the entire tales. And the producer now feels that the public will accept a full-length feature from his studio.
“Snow White and the Seven Dwarfs” is made in its entirety of drawings animated into living action, but the drawings are infinitely different from those of Disney’s short length output. In the first place, with the exception of the seven funny little dwarfs, there is scant caricature in the picture. “Snow White” herself is a charming little lady with “skin white as snow, lips red as a rose and hair as black as ebony”. And she has a charming voice with which to deliver four of the eight songs in the picture.
Further, unlike the funny “Mickeys” and “sillies”, “Snow White and the Seven Dwarfs” has several emotional ingredients besides humor.
These include high drama, pathos, excitement, and suspense. And, of course, there is an abundance of comedy, particularly in the scenes devoted to the dwarfs.
And for the first time in any Disney feature, a character meets death in this Disney picture. For “Snow White’s” wicked Queen is chased to her death by the seven dwarfs after she has persuaded the heroine to bite into the poisoned apple. But “Snow White” only lies in a stupor as a result, and her Prince Charming comes along and arouses her with a kiss.
“Snow White and the Seven Dwarfs” was in the mind of Walt Disney for more than three years, and the actual work on the picture in Technicolor covered nearly all of that time. But through the experience and added facilities gained in making this feature the producer is certain that the next full-length picture he makes he will be able to cut this period in half.
“Snow White and the Seven Dwarfs”, like the other Disney product, is distributed by RKO Radio.
If one man were to undertake the job of completing Walt Disney’s first feature-length production, “Snow White and the Seven Dwarfs”, and had sufficient talent to do so, he would be able to complete the job in a little over 230 years by working eight hours a day, minus a two-weeks’ vacation each year.
Snow White’s in Walt Disney’s First Feature-Length Production,Snow White and the Seven Dwarfs goes through the seven-reel Technicolor production in only two dresses. At the beginning, she is seen practically in rags. For the remainder of the picture, she wears a fitted bodice with short puffed sleeves, a full ankle-length skirt, and a cape.
Gimbels and Walt Disney Present:
Miniature copy of a five-column streamer ad, by Gimbel Brothers, New York City, from the firm’s series of metropolitan newspaper announcements of the Snow White displays in the big department store. Animated models were used in the Gimbel Bros. display.


“Snow White,” Animated Film Feature, Ranks With World’s Ace Attractions
Grimm Noted Tale in Sumptuous Technicolor Production by Walt Disney Receives the Acclaim of a Masterpiece
Snow White and the Seven Dwarfs, Walt Disney’s gorgeously produced musical feature-length animated picture in Technicolor, was launched with a notable world premiere at the Carthay Circle Theatre in Los Angeles shortly before last Christmas. It was followed thereafter with a record-breaking run at New York’s world-famous Radio City Music Hall and has become the sensation of motion picture entertainment. It has taken its place in the front ranks of important film attractions.
In production for three years and costing a million and a half dollars, Snow White is expected to establish a standard for future animated features in much the same manner that The Birth of a Nation influenced the epic cycle that followed.
The Disney picture is a drastic departure from previous techniques in the animated field, in that living, credible beings have been created in the persons of Snow White, the Seven Dwarfs, the Queen, the Prince, and other characters in the famous Grimm fantasy. In addition, the art treatment departs radically from cartoon expression. An illusion of depth has been added through the use of the multiplane camera, an invention perfected by Disney technicians. This new camera treatment makes three-dimensional figures out of characters drawn in a two-dimensional medium.
Added interest attaches to the eight musical numbers in the feature, the outstanding one being “Hi-Ho,” a marching song sung by the Dwarfs.
The story relates the adventure of a beautiful young scullery maid whose youth and charm arouse the envy of a wicked Queen, who plots in various ways to get rid of her forever. How the Queen nearly succeeds after seeking out Snow White in her refuge among the Seven kindly Dwarfs, and how the little heroine is finally rescued by her Prince Charming, is pictured with exquisite artistry and humor combined.
Snow White’s Genesis
The physical appearance of the characters in Snow White and the Seven Dwarfs, sensational feature-length animated picture, was decided upon after thousands of sketches were submitted by Walt Disney’s several hundred artists.
All were called upon to draw their conception of Snow White, the seven dwarfs, the wicked queen, the handsome young prince, and the queen’s huntsman. Disney then chose what he considered the best.
From the final sketches models were created in many instances, so that the artists animating the new characters could get a better idea of how they would look from all angles.
Snow White herself, the Queen, huntsman, and the Prince are all natural-looking human figures with no caricature about them. For the dwarfs and the witch into which the queen turns herself during the story, more liberty was taken.
Charming Animals Enhance Appeal of “Snow White” Film
Walt Disney’s conception of small birds and animals is one of the many reasons why he and his productions are beloved by old and young alike. His little rabbits, squirrels, chipmunks, bluebirds, and tortoises have exquisitely appealing qualities. Logically enough, Disney chose Snow White and the Seven Dwarfs for his first full-length animated feature, with its many opportunities to include animal characters.
When Snow White flees from the malice of the wicked Queen and becomes lost in the woods, she is frightened by the oncoming darkness and the eerie forest sounds, and runs until she falls exhausted. It is then that deer, rabbits, chipmunks, and birds befriend her and lead her to the shelter, the tiny cottage owned by the Seven Dwarfs.
One of the most charming scenes in the production takes place when Snow White, finding the cottage dirty, enlists the aid of her animal friends in cleaning it. Squirrels use their tails as brooms, others stack dirty dishes, and hop up and down on the pump handle to draw water. The bright-colored birds hang clothes on the line after the other animals have washed them, using the tortoise’s underside for a washboard.
It is the birds and animals who discover that the old hag who visits Snow White in the cottage is really the wicked Queen in disguise, ready to poison her with a magic apple. It is they who warn the Seven Dwarfs, who immediately jump on the animals’ backs and give chase to the menace.
The animals in Snow White are not caricatured, nor do they ever talk, although Disney gifts them with human intelligence. Each one is pictured as a creature of charming individuality.
Forest friends
Spared by the wicked queen’s executioner, Snow White is guided through the woods by the kindly animals in Walt Disney’s full-length feature, “Snow White and the Seven Dwarfs” distributed by RKO Radio. (1-C – Mat 15c)
“Snow White” Has Dynamic Drama and Pathos, Also
High drama, pathos, excitement, and suspense are woven into Walt Disney’s feature-length picture, Snow White and the Seven Dwarfs.
In the seven-reel Technicolor picture, Snow White’s beautiful but vain and wicked Queen consults her magic mirror to find out who is the fairest in the land. When the mirror replies “Snow White,” the Queen retreats to her secret dungeons at the bottom of the castle, through which a mysterious river flows. Here, in scenes that could never be done with the limitations of regular motion picture technique, she brews magic potions and turns herself into an old witch, to an accompaniment of lightning and crashing thunder. She disguises herself so that she may go to Snow White, living in the cottage of the Seven Dwarfs, and, posing as an old peddler woman, induce her to bite into a poisoned apple.
The ultimate in excitement and suspense comes when the Dwarfs, discovering the Queen at their cottage, chase her through a blinding thunderstorm, up into mountain fastnesses, where, just as she is about to roll a boulder down on them, a bolt of lightning sends her toppling over a cliff into oblivion.
Calculated to bring a tear to the eye of everyone is the sequence wherein the Dwarfs, believing Snow White dead, build a glass coffin for her so that they may still look upon her beauty. They place it in a flower-laden bower in the woods, where they and the small birds and animals take turns keeping watch over it.
Romance soon comes riding along, however, in the person of a handsome young Prince, long in love with Snow White. He kisses her, breaks the spell of the magic apple, and the two ride away to lasting happiness, with Snow White promising to return to visit her forest friends from time to time.
Advance Reader
If you’re one of the really appreciative movie fans, don’t miss Snow White and the Seven Dwarfs! This is the long-heralded Walt Disney picture, produced in Technicolor, in feature length. Its plot is taken from the famous book of Grimm’s folk tales, and never have the fabled beauties of the country of shadows and Little People been revealed in such exquisite lines. The dramatic thrills of the story deal with the murderous pursuit of the lovely Princess, Snow White, by her jealous rival, the wicked Queen. Its brilliant comedy interludes are fantastically funny, alive with the spirit of Fairyland, where birds, animals, and Dwarfs make merry in woodland glades amid scenes of enchanting loveliness. Adult patrons will revel in its alluring drama, its pathetic appeal, its laughter-rousing episodes, and children hail it as the greatest screen treat of their young lives!
Advance Reader
Snow White and the Seven Dwarfs begins and engagement on (…) at the (…) Theatre. This is the first Walt Disney animated film produced in feature-length Technicolor, which has been declared by newspaper critics to be the season’s biggest sensation. It is unique in more ways than one, combining as it does the pleasures and lure of fantasy with excellent drama, and high-pressure comedy. The plot is derived from the best-known story in Grimm’s Book of folk tales, and this factor alone will attract patrons. The young folks will be impatient to see their favorite Princess, “Snow White”, in all her loveliness on the screen, alive, as they have often seen her in imagination, as well as the wicked Queen, the evil Witch, the funny Little Men, and all the other inhabitants of the mystic folk country. The older movie fans will be equally glad to renew their acquaintance with the fiction friends of their childhood!
Advance Reader
Every ardent move fan who likes to keep pace with the times will look forward expectantly to the opening performance of the RKO Radio’s Technicolor picture, Snow White and the Seven Dwarfs, which comes on (…) to the (…) Theatre. This happens to be the first time that a Walt Disney animated film has stepped out of the two-reeler class into full feature length! The story subject is chosen from the world-famous Grimms’ folk tales, and concerns the feud between the wicked Queen and Princess “Snow White”, the sovereign’s jealousy of “Snow White’s” superior beauty causing the former to attempt her rival’s death by poison. On “Snow White’s” side are the forest bords and animals, as well as the dwarfs of the Diamond Mine, and the net result is a picture as captivating in its environment as in its drama thrills and laughter-arousing episodes. The audience appeal of Snow White and the Seven Dwarfs is universal, designed to captivate the imagination of grown-ups and children alike.
Advance Reader
Have you ever dreamed of Gnome-land? Have your dreams brought you into contact with those wonderful beings, the elves, dwarfs, enchanted bords and beasts, witches, lovely ladies that weave magic spells and dance and sing through sunny days and moonlit nights of romance? Such dreams of fantasy come to perfect realization on (…) when Snow White and the Seven Dwarfs begins and engagement at the (…) Theatre. This marks an event in film history. It is the first Walt Disney picture, made in Technicolor for RKO Radio, ever produced in feature-length. It was three years in the making, at a cost of $1,500,000. It’s a wonder-feast of thrills, fun and romantic drama, with equal appeal for juveniles and grownups. Everybody has read Grimms’ folk tales, in whose fascinating pages “Snow White” and the little dwarf pals were born. There’s a never-to-be-forgotten treat awaiting you in its marvelously appealing film version!
Snow White, heroine of Walt Disney’s feature-length production, “Snow White and the Seven Dwarfs”, is a young woman of many accomplishments, and among them, cooking. When she becomes lost in the woods and finally finds shelter in the cottage of the seven dwarfs, the one thing which swings Grumpy, the woman-hater of the group, into letting her keep house for them is Snow White’s promise to make them gooseberry pie and apple dumplings.
Authors responsible for such Disney song hits as “Who’s Afraid of the Big Bad Wolf,” “You’re Nuthin’ But a Nuthin’,” and “The World Owes Me a Living” , created the melodies for Walt Disney’s feature length production Snow White and the Seven Dwarfs. The numbers include “Whistle While You Work,” and “Isn’t This a Silly Song,” and “Hi-Ho,” the dwarfs’ marching song.
Advance ballyhoo and build-up for Snow White and the Seven Dwarfs by the RKO-Golden Gate Theatre in San Francisco in co-operation with the local distributor of Good Housekeeping Magazine.
“Snow White” Menace Meets Milder Fate
Those seeing Walt Disney’s first feature-length animation, Snow White and the Seven Dwarfs, will find that, but for a few minor changes, the story clings closely to the Grimm brothers’ noted tale beloved of their childhood.
Because of the demands of the motion picture medium, and also because Disney likes to eliminate the gruesome element as much as possible in his productions, the Princess Snow White does not have to suffer quite so much at the hands of her wicked Queen in his Technicolor musical drama of her adventure.
In the original tale, Snow White almost died from being laced too tightly by the bad Queen, and from having a poisoned comb run through her hair before she finally took a bite of the poisoned apple which finally put her into a bewitched sleep. In the Disney version, the Queen only does one dastardly deed in this respect – when she persuaded Snow White to bite into the apple.
In the original story, the ending finds the wicked Queen dying in a prolonged death by dancing at the princess’s wedding in red-hot iron shoes, which doesn’t make the princess seem like a nice girl to permit such morbid goings-on. In the picture, however, Snow White isn’t in at the killing, and the Queen dies more neatly and quickly. The seven dwarfs chase her up and down the dale, and she topples over a precipice.
Delightful Animals in “Snow White”
Of the millions of persons throughout the world who see Walt Disney pictures each day, not all realize that principal reason for their universal appeal is the manner in which Disney endows animals with human foibles.
This will be found particularly true in Snow White and the Seven Dwarfs, Disney’s first full-length feature. This Grimm folk tale was chosen for production because of the opportunity to present in it many small animals, adapted to appealing treatment. There are rabbits, squirrels, chipmunks, several kinds of birds, tortoises, and deer—and not a villain among them. When Snow White becomes lost in the woods and breaks down through fright, the little animals approach her timidly and befriend her, leading her to a safe haven. This happens to be the home of the seven dwarfs, where she lives until Prince Charming finds her weeks later.
Later, these same animals contribute to one of the most enchanting scenes ever pictured. This comes when Snow White finds the dwarfs’ cottage very dirty and enlists the aid of the animals in cleaning it up. Squirrels use their tails as brooms, others stack dirty dishes, and some hop up and down on the pump handle to draw water. Bright-colored birds hang clothes on the line after other animals have washed them, using the underside of the tortoise as a washboard.
It is the animals, too, who discover that the old hag who visits Snow White in the cottage is really the wicked Queen in disguise, ready to bewitch her with the magic apple. And it is they who warn the Dwarfs, who leap on the animals’ backs and give chase to the poisoner.
“Snow White’s” Wicked Queen Turns to Demon via Color
Strange Transition of Walt Disney’s Menace with Clever Psychological Effect in New Feature Film
Effects never before seen in the realm of animation are seen in Walt Disney’s marvelous feature-length production, Snow White and the Seven Dwarfs.
The toughest task of obtaining trick effects in the feature was to visualize Snow White’s wicked oppressor, who changes herself from a beautiful Queen into an old hag by drinking a magic brew.
It would have been easy enough to show the Queen turning into the witch, but because such a trick of animation was so simple, it was discarded. Walt and his staff wanted something unique, and as a result, they decided not to show her transition, but to portray her feelings as she effected the change in herself. Therefore, the audience sees her mix and drink the potion, and then sees the room start to sway and spin until it turns into a vivid whirlpool of color.
It was here that the special effects men had to animate color alone. It was also necessary in the following sequence when the witch dips an apple into the brew, and it goes into a triple play of green, yellow, to blue-green to coral red. At the same time, the potion in the cauldron is changing from color to color while it is bubbling.
When the Queen, in mixing her magic concoction, adds “a gust of wind to fan my hate,” the wind is shown by the rolling of clouds and drifts of mist, combined with the whipping of drapes and garments. Thunderbolts and lightning flashes, so well done that they would put real ones to shame, also enter the scene.
“Snow White” Inspires Trend in Fashion
The fashion world has responded to the influence of the first full-length animated film produced by Walt Disney, Snow White and the Seven Dwarfs.
Months before the release of this picture, fashion-wise people followed with interest each new announcement of its details. American experts, as well as the leading designers and couturiers in Paris, have felt the inspiration of the picture. Hence, it was reasonable to anticipate that spring openings in the French capital would demonstrate a strong “Snow White” influence. Daring as well as conservative prints have been released in silks made by Colcombet, and other houses have issued models in sympathy with Snow White development. Hats based on those worn by the leading characters in the picture emphasize adaptations of the Dwarfs as well as the Huntsman and Prince’s hats. Accessories are producing delightful reproductions of these new and most original Disney characters. Notably, Cartier is showing in Paris, London, and New York specially designed Snow White bracelets, charms, and other jewelry of the more expensive variety—prices from $25 to $250. Six cotton prints in Snow White motifs are introduced by Marshall Field’s wholesale division, suitable for summer frocks, pajamas, housecoats, and beachwear.
“Snow White’s” Advent Causing a Furore
The forthcoming local premiere of Walt Disney’s first feature-length production, Snow White and the Seven Dwarfs, is causing wide curiosity and speculation within the ranks of moviegoers.
The picture comes heralded as having every element that makes for great entertainment: comedy galore, with the seven dwarfs and the little woodland animals responsible for most of it; romance in the love story between Snow White and her handsome young Prince; excitement and suspense, mostly accounted for by Snow White’s wicked enemy, the Queen, and her endeavors to bewitch the princess.
Tears will undoubtedly come to the eyes of most of the audience during the sequence—one of the most beautiful in the production—where the dwarfs, believing Snow White dead at the hand of the Queen, build a glass case for her so that her beauty may be adored even in death. The dwarfs and Snow White’s friends among the birds and animals take turns keeping sad vigil by the side of the flower-surrounded bier in a woodland bower until the unexpected day when the Prince, riding the woods, discovers the beautiful sight. He kisses Snow White, thus breaking the magic spell over her, and rides away with her to lasting happiness.
Quaint Furniture in “Snow White,” Disney Feature
Many an interior decorator will emit an expression of pleasure when he sees the quaint Dwarfs’ cottage in Walt Disney’s feature-length animated production Snow White and the Seven Dwarfs.
Most of the artists who designed the backgrounds for the picture, which is produced in Technicolor, are fine architects and designers in their own right, and long research and many preliminary sketches went into deciding how the Dwarfs’ house should look.
The house and every stick of furniture, not to speak of all the pots, pans, quilts, and other knickknacks, naturally had to give the appearance of having been made by the seven little men themselves.
The tiny house has interesting rough-beamed ceilings. The staircase is made of logs split in half, with carved ends. The furniture looks obviously handmade and hand-carved, with each piece a gem in itself. For instance, there is a wine barrel which fits into a standard, each corner of which is a block carved into a gargoyle’s face. The spigot is in the shape of a fish’s head, with the wine flowing out of its open mouth.
The chairs are made with backs carved into the shape of an owl. The thick plank forming the seat is held up by short pieces of wood, the two front chair legs carved into the shape of fat little rabbits standing on their haunches. The owl motif is further carried out above one of the cupboards, while the support of a little wall shelf is also carved into an owl.
The doors are framed with heavy carved beams, with fantastic gargoyle heads featured.
Each Dwarf’s bed has his name deeply carved on the footboard, and each dwarf has his own wooden chest with his name on it.
Practically everything in this fantastic but charming abode could be easily adapted to a modern country home or mountain lodge.
Dwarfs discover Snow White
The scene in Walt Disney’s full-length feature production, “Snow White and the Seven Dwarfs”, as the dwarfs find Snow White occupying all of their beds in the cottage where she has taken refuge from the wicked Queen who wants to take her life. There is a riot of fun and music in this picture from RKO Radio filmed in Multiplane Technicolor. (2-B – Mat 30c)
Screen fans witness an entirely new color treatment in Walt Disney’s first feature-length production, “Snow White and the Seven Dwarfs”, in contrast to the tones generally seen in his Mickey Mouse shorts and Silly Symphonies. A much wider range of colors and more subtle shadings are employed in “Snow White”.
“Town and Country” gave Disney’s feature a display in full color on several inside pages.


“Snow White” Reforms The Seven Dwarfs
The worst housekeeper in the world will be greatly cheered after she sees Walt Disney’s first feature-length production, Snow White and the Seven Dwarfs, for until Snow White joins the little band, they have the most untidy house on record.
When the birds and animals of the forest guide Snow White to the Dwarfs’ cottage, after she has run away from the wicked Queen who had planned to kill her, she and her forest friends go to work and make the little house as clean as a new pin. Squirrels use their bushy tails as brooms to sweep the dust out; dirty clothes are scrubbed by Snow White and the animals, with a turtle turning himself upside down to serve as a washboard. Birds fly with the clothes and hang them up to dry.
The consternation of the Dwarfs when they behold the change in their abode accounts for many a laugh. “Our dishes are stolen!” cries one. “They ain’t stole, they’re HID in the CUPBOARD!” discovers another.
Still another rescues his favorite cup and runs his finger around in the bottom of it, only to report mournfully that the sugar’s gone! Snow White’s aptitude at stirring up gooseberry pies, apple dumplings, and plum pudding soon reforms the Dwarfs, and they are willing that cleanliness should enter their lives.
“Snow White’s” Enemy Turns into a Witch
In Walt Disney’s first feature-length Technicolor production, Snow White and the Seven Dwarfs, rainstorms, interesting shadow effects, jewels that sparkle, all heightened by glorious color, are effects which far surpass in scope things which can be done in the ordinary motion picture studio.
Examples are the scene where Snow White’s enemy, the wicked Queen, changes herself into a witch by brewing a supernatural potion and drinking it; the sequence of Snow White running frightened through the dark woods, with trees taking on weird monster-like forms, stumps in pools turning to crocodiles, leaves taking the form of bats, and animal eyes forming weird montages—this all due to her imagination running riot.
Toward the end of the picture is a wild rain and thunderstorm in which effects have been attained that would be totally beyond the reach of the ordinary camera.
“Snow White’s” Flight in the Woods Thrilling
The settings in Snow White and the Seven Dwarfs, Walt Disney’s first feature-length picture, far surpass anything in that line this studio has ever done.
The action of the story takes place against the backgrounds of forests, castles, wild mountain fastnesses, and in the quaint woodland cottage of the seven dwarfs.
Color of unbelievable beauty and fantasy marks the scenes in the dense woods where much of the story takes place. When Snow White becomes lost, trees, stumps, and foliage take on weird and grotesquely human shapes to her, with the climax coming in a series of breathtaking montage shots—shots heretofore never seen in the field of animated pictures.
Daylight finds broad rays of sun slanting through the trees, the effect so expertly done that it is almost impossible to think paint had a hand in it.
Contrasted with the many delightful and humorous scenes of Snow White with the little forest animals and the Dwarfs, played in the woods or the picturesque cottage, are those in which her rival, the wicked Queen, in the damp, mysterious dungeons of her castle, plots to take Snow White’s life so that she, the Queen, may be the fairest in the land.
Advance reader
Sprites, goblins, elves, pookas, cluricauns, leprechauns—all the queer little, quaint Little People that sometimes flit across the enchanted border of Fairyland into our matter-of-fact world to let ordinary mortals know how dreams can come true and romance can be translated into reality—are to be seen in Snow White and the Seven Dwarfs, the first Walt Disney picture made in full feature length and produced in Technicolor. There’s over an hour’s wonderful enjoyment awaiting you at the (…) Theatre in this unprecedented film version of the most wonderful tale from the world’s great wonder-book—Grimm’s folk tales. You’ll learn how the wicked Queen plotted and strove to kill the little princess whose youthful beauty excelled that of the jealous sovereign. You’ll be moved to the verge of tears by the sufferings of innocent Snow White. You’ll laugh to exhaustion over the madcap gambols of the merry Dwarfs. You’ll be carried to new heights of admiring enthusiasm by the beautiful backgrounds and color fascinations that make this picture a marvel of attraction for young and old!
“Snow White” Filmed With Perfect Charm
Those both young and old who have loved the legend of the little Snow White and the Seven Dwarfs will find that although Walt Disney’s sumptuously produced seven-reel animated version of it is nicely streamlined, the basic story remains unchanged.
The beloved story of Snow White has not been festooned with gangsters, G-men, or nightclubs, nor does the prince carry Snow White off to happiness in a sixteen-cylinder convertible coupe.
True, the story is sprayed with glowing colors, festooned with unique Disney touches, and given touches of sparkle, laughter, drama, and pathos impossible in the original, but nevertheless, the tale itself retains its unforgettable atmosphere of charm.
Advance reader
If you have ever read Grimm’s folk tales—and who hasn’t?—there’s a real treat coming for you when Snow White and the Seven Dwarfs will be shown at the (…) Theatre. More important yet is the fact that Snow White is produced in Technicolor by Walt Disney in full feature length! It is an event in film history, ranking in significance with the birth of the first talkie! It’s not only a delightful vision of Gnomeland and its wonderful Little People screened with marvelous beauty, and sizzling with rollicking comedy, but is dramatically appealing. The story of the jealous Queen’s attempted murder of the little princess, who is valiantly aided by her tiny pals, the Dwarfs, is a genuine thriller with trenchant appeal for young and old!
Seven Dwarfs Find “Snow White” a Guest
Hilarious comedy is in store for all who see the seven-reel Technicolor production of Snow White and the Seven Dwarfs produced as a major screen feature by Walt Disney.
Delightful comedy touches have free play in the many scenes in which the seven dwarfs make their appearance.
Doc, Sneezy, Dopey, Grumpy, Bashful, Happy, and Sleepy are rated to be among the funniest characters ever to come out of Hollywood.
Among the side-splitting scenes is one in which they come home to their woodland cottage after a day’s work in their jewel mines, only to discover that “something” is in their house. Their plans to discover and kill the “monster” are giddy and involved, with all their preparations going for naught when they discover that the ferocious thing is none other than the beautiful little princess Snow White.
Her subsequent efforts to teach them table manners and to get them to wash “especially behind the ears and under the beards” are among the picture’s highlights.
Following these scenes is a colorful entertainment sequence wherein the dwarfs and Snow White sing and dance, the dwarfs furnishing the music on an organ of their own making—the like of which has undoubtedly never been seen before and never will again.
Snow White and the Dwarfs
The appealing principal characters in Walt Disney’s full feature-length Multiplane Technicolor production Snow White and the Seven Dwarfs, distributed by RKO Radio. (2-E – Mat 30c)
And So to Bed
The heroine, in Walt Disney’s big feature in Multiplane Technicolor, Snow White and the Seven Dwarfs, has found a refuge in the home of the dwarfs, as pictured in this scene from the RKO Radio release. (1-E – Mat 15c)
Disney’s Dwarfs
The loyal friends of the heroine in Walt Disney’s feature production, Snow White and the Seven Dwarfs, from RKO Radio. (1-B – Mat 15C)
A spread from Popular Science Monthly, which featured the technical side of the Walt Disney production.
Here’s a Page of Production Feature Cuts
The five cuts on this page provide illustration material for a feature, or features, on the production of Snow White and the Seven Dwarfs. They may be used as separate items, or be massed, and may accompany various feature texts from the publicity section of this Campaign Book. With this material, any editor can make up an attractive literary and pictorial feature. Submit it to him in advance of your opening.
Walt Disney’s idea for the production of Snow White and the Seven Dwarfs crystallized in 1933, and at that time, he fashioned a series of clay models of the dwarfs from which his artists were to work. (2-J – Mat 30c)
Below: One of the scores of girl artists drawing on celluloid one of the 250,000 separate sketches in the story of Snow White.
Above: Some of Walt Disney’s “gag men” enacting gestures for a bit of action, as models for a designer of animation. Continuity sketches in the background. (3-G – Mat 45c)
Below: Animator watches himself in a mirror to gain an impression of mood for a character.
Above: Operator places characters on celluloid upon a painted background under the camera lens. At his left is a continuity schedule. (2-H – Mat 30c)
Seen above is one of Walt Disney’s detailed charts presenting all the specifications of the dwarf “Doc’s” features. One of these charts is at the elbow of every animator in order that exact characteristics prevail in every drawing. (3-D – Mat 45c)
It was important to have the proportions of all the Snow White characters relatively correct. This chart presents the comparative heights of the heroine and the dwarfs, and the heights had to be observed meticulously in every drawing. (3-E – Mat 45c)
Trailers
Trailers on Snow White and the Seven Dwarfs will be serviced to exhibitors as usual by National Screen Service with its many distributing stations throughout the United States. A marvelous deluxe advance trailer has been prepared on this show.


Snow White’s Dainties That Won Acclaim
When the little heroine of Walt Disney’s first feature-length production, Snow White and the Seven Dwarfs, told them about her success with gooseberry pie “with raisins in the crust,” apple dumplings, and plum puddings, even Grumpy, the woman-hater, melted.
Herewith, Snow White gives you a couple of her choice recipes. Of course, you probably won’t have occasion to win over a septet of Dwarfs with your culinary activities, but there should be a husband, culinary father, sweetheart, or brother in the offing.
Pie crust
- 2 ½ cups flour
- 1 tsp salt
- ¾ cups pure vegetable shortening
- 5 tblsp water (the colder, the better)
Sift flour and salt together. Add half of the shortening to the flour. Cut with two knives to the sizes of a bean. Sprinkle with water, one tablespoon at a time. Work lightly together with a fork until all is in small lumps. Add just enough water to moisten. Press together into a ball. Do not handle the dough any more than is absolutely necessary. This recipe makes one two-crust pie.
In rolling the dough, do it gently, rolling upwards from one edge to the opposite and back again. Be sure that the dough is uniformly thin. Be sure that the board is always well covered with flour. Never turn the dough while rolling it. For the lower crust, roll the dough about two and a half inches larger than the pie tin.
Dumplings
- 1 1/3 cups sifted flour
- ¼ tsp salt
- ½ cup milk
- 1 tblsp butter
- 1 ½ tsp baking powder
- 1/3 cup pure vegetable shortening
- 4 tart apples, pared and cored
- ¼ cup brown sugar
Sift the flour with the baking powder and salt, and cut in the shortening. Add milk and mix to a soft dough. Roll to about a twelve-inch square. Cut the square into fours, placing an apple in each. Cream the butter and brown sugar, and place in the apples. Bring the dough together on top of the apple. Brush with milk. Place in a greased pan and bake in a hot oven for approximately a half hour. Serve with cream.
One of the most amusing scenes in Snow White and the Seven Dwarfs is that in which the little men sit down to eat and are thrown into consternation by Snow White ordering them first to wash themselves, which order they obey in a great scramble to get back to the table. (3-F – Mat 45c)
In the above Woman’s Page feature, text is not included with the mat.
The “Snow White” Bracelet as executed by Cartier
Advertisement of the Snow White deluxe bracelet produced by Cartier, as published by a Pacific Coast department store. Now at retail price, $100.
The Progress of Walt Disney, Genius
Walt is a farm boy who took up art in Kansas City, where one day a pert little mouse gave him an idea. Only after Walt pioneered long in film animation did Mickey Mouse reached the screen.
His first synchronized opus, Steamboat Willie, was a hit, starring Mickey. Later, in color, came his Silly Symphonies. Among them was the unforgettable Three Little Pigs.
On his most ambitious film, in full feature length, Snow White and the Seven Dwarfs. Disney and his staff worked three years. (3-C – Mat 45c)
One of the most striking magazine breaks for Snow White and the Seven Dwarfs, a spread in color in “Stage”.
Urge to Film “Snow White” Founded in Disney’s Youth
Saw Grimm’s Fairy Tale as Stage Show—Now Produces It for the Screen
by Walt Disney
There were several reasons, one sentimental and the other practical, why I decided on the folk tale Snow White and the Seven Dwarfs as the basis of our studio’s first feature-length animated picture.
In the first place, I can remember seeing Snow White as a play when I was a small boy. I saved some of the money I made from my newspaper route to go and see it, and I was so impressed I could have seen it over and over again.
But to get down to practical reasons, here they are: Snow White and the Seven Dwarfs is known and beloved in practically every country in the world. The seven dwarfs, we knew, were “naturals” for the medium of our animated pictures. In them, we could instill humor, but not only as to their physical appearances, but in their mannerisms, individual personalities, voices, and actions.
In addition, with most of the action taking place in and around the dwarfs’ cottage in the woods, we realized that there was great opportunity for introducing appealing little birds and animals of the type we’ve had success with in the past. Lastly, the human characters were fanciful enough to allow us a great deal of leeway in our treatment of them.
As far as I can say, the whole idea of making this feature crystallized in 1933, although I can’t tell how long the seed of the idea had been in my mind. For several years, we had been receiving an increasing amount of fan mail asking us why we didn’t make a longer picture. Naturally, this influenced us to a great extent, for it at least indicated that the time might be ripe for taking such a step.
I didn’t call the staff together and tell them point blank that we were going to embark on a full-length picture. I tried to drop the idea casually, for nobody realized more than I that it was going to be a revolutionary step. However, because I work with an unusually visionary and pioneer-spirited bunch, it wasn’t long before the thing was under way.
In fact, 1934 found us with a pretty complete adaptation of the Grimm brothers’ story, and thousands of sketches, gags, backgrounds, character models, and so on had been worked out. Because we had no precedent for this undertaking, we had to discard much of the preliminary material—material which had meant hours of hard work, too.
We tried out hundreds of voices. The ones we chose naturally had to fit the characters we had created. Our composers were at work on songs and trying out background themes.
By 1935, the voices for the characters were decided upon and the detailed preparation of the story was in full swing. Every detail of each character, both as to appearance and personality, was set, which meant that experimental animation of the characters could begin.
Actual animation began in 1936. We took the cream of our artists off the short subjects and put them to work on Snow White. These included directors, gag men, animators, layout men, and background artists.
Our present plans include a feature about every year and a half or two years.
“Snow White” Statistics
Walt Disney’s Snow White and the Seven Dwarfs, which runs well over one hour, is composed of over 250,000 drawings, with a musical background provided by an orchestra of 80 musicians.
As many as 750 artists worked on the production, which has been in the making since 1934. These consisted of 32 animators, 102 assistants, 167 in-betweeners (for filling in bits of action), 20 layout artists, 25 artists doing watercolor backgrounds, 65 effects animators (those who draw smoke, water, clouds, etc.), and 158 young women adept at inking and painting the Disney figures on transparent celluloid sheets.
Counting all of the preliminary sketches, and figuring that each was redrawn three or four times, it has been estimated that at least two million drawings were turned out during the making of Snow White. It is estimated that the production has entailed a cost of $1,500,000.
Disney’s Snow White and the Seven Dwarfs Make Retail Debut at Loeser’s
The animated figures of Snow White and the Seven Dwarfs beckon the visitors to Loeser’s toy department and Snow White officiates below in full costume. In the window, by an arrangement of mirrors, can be seen in miniature view, the costumed man who is on duty, inside the house to give out toys. Admission is 25 cents and 50 cents.
Example of department store promotion for Snow White and the Seven Dwarfs at Loeser’s, Brooklyn, NY, as illustrated in Women’s Wear, the daily apparel newspaper of New York.
Snow White and Her Prince
The romantic element is not omitted in Walt Disney’s full feature-length production in Multiplane Technicolor, Snow White and the Seven Dwarfs. There is a happy ending in which the heroine’s sweetheart revives her with the “first kiss of love” from the trance in which she has been placed by the witch, as her friends, the dwarfs, cheer him. Music and dancing and dialog are among the attractions in this picture from RKO Radio. (2-A – Mat 30c)
Music page feature – How They Gave “Snow White” Its Musical Accompaniment
Music in Walt Disney’s pictures always serves to heighten action and oftentimes dialogue. And in Snow White and the Seven Dwarfs, the musicians were faced with the longest and most complicated assignment they have ever had.
When the picture was started back in 1934, the musicians “roughed out” the music, trying out descriptive phrases and bits of melody. For it must be remembered that in scenes where music has to synchronize with the action, it has to be composed before a line of drawing is done. Long before the animator sets to work, he receives a chart showing how the musical beats and accents fall in each frame of film. For example, if the animator is called upon to draw a character tiptoeing to music, he can draw to perfect synchronization by following the chart.
If a door closes, a floorboard squeaks, or someone brushes against a tree branch, the music has to tell it. In the ordinary picture, a sad scene is heightened by merely a background of sad music, but the Disney attention to detail demands that, should a tear fall, the score has to accent it. In addition, the accompanying musical sound has to match the action within two frames of film, or less than a second.
Another problem is the need of elongating, or telescoping, a musical phrase. At times, it is necessary to stretch out a motif from four feet to twenty-four feet. And often it is necessary, in this stretching process, to change the tempo in the middle of a phrase.
It is curious to realize that the orchestra which supplied the background for the songs by Snow White and other characters never once heard the voices. Soundtracks of each voice had been made, but the voices had no accompaniment. It was then the job of the musical director to analyze the accents on the soundtrack and to work out a soundtrack composed solely of the musical beats of the voices implied. Then, when the musical accompaniment was added, each musician wore an earphone. Naturally, a far larger orchestra had to be used for Snow White and the Seven Dwarfs than any which had ever been employed in the Disney studios for the regular output of the short-subject Mickey Mouses and Silly Symphonies.

